Sunday 26 January 2014

Here in this Spring by Dylan Thomas

Here in this spring, stars float along the void;
Here in this ornamental winter
Down pelts the naked weather;
This summer buries a spring bird.

Symbols are selected from the years'
Slow rounding of four seasons' coasts,
In autumn teach three seasons' fires
And four birds' notes.

I should tell summer from the trees, the worms
Tell, if at all, the winter's storms
Or the funeral of the sun;
I should learn spring by the cuckooing,
And the slug should teach me destruction.

A worm tells summer better than the clock,
The slug's a living calendar of days;
What shall it tell me if a timeless insect
Says the world wears away? 

Saturday 25 January 2014

Done by Chery Moskowitz

Tonight I want to be read aloud to in bed.
I'm done with eyes and deciphering lines.
Done with looking too close,
that seeing thing.
FInished with the grip of the pen
or even being the teller of stories.
Leave that to others now -
tonight I will savour only your voice;
paperless, weightless
without permanence.


Everything is Waiting For You by David Whyte

Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.

Put down the weight of your aloneness and ease into
the conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.

Friday 24 January 2014

Smokey the Bear Sutra by Gary Snyder

Once in the Jurassic about 150 million years ago,
the Great Sun Buddha in this corner of the Infinite
Void gave a Discourse to all the assembled elements
and energies: to the standing beings, the walking beings,
the flying beings, and the sitting beings -- even grasses,
to the number of thirteen billion, each one born from a
seed, assembled there: a Discourse concerning
Enlightenment on the planet Earth.

"In some future time, there will be a continent called
America. It will have great centers of power called
such as Pyramid Lake, Walden Pond, Mt. Rainier, Big Sur,
Everglades, and so forth; and powerful nerves and channels
such as Columbia River, Mississippi River, and Grand Canyon
The human race in that era will get into troubles all over
its head, and practically wreck everything in spite of
its own strong intelligent Buddha-nature."

"The twisting strata of the great mountains and the pulsings
of volcanoes are my love burning deep in the earth.
My obstinate compassion is schist and basalt and
granite, to be mountains, to bring down the rain. In that
future American Era I shall enter a new form; to cure
the world of loveless knowledge that seeks with blind hunger:
and mindless rage eating food that will not fill it."

And he showed himself in his true form of
SMOKEY THE BEAR
  • A handsome smokey-colored brown bear standing on his hind legs, showing that he is aroused and
    watchful.
  • Bearing in his right paw the Shovel that digs to the truth beneath appearances; cuts the roots of useless
    attachments, and flings damp sand on the fires of greed and war;
  • His left paw in the Mudra of Comradely Display -- indicating that all creatures have the full right to live to their limits and that deer, rabbits, chipmunks, snakes, dandelions, and lizards all grow in the realm of the Dharma;
  • Wearing the blue work overalls symbolic of slaves and laborers, the countless men oppressed by a
    civilization that claims to save but often destroys;
  • Wearing the broad-brimmed hat of the West, symbolic of the forces that guard the Wilderness, which is the Natural State of the Dharma and the True Path of man on earth: all true paths lead through mountains --
  • With a halo of smoke and flame behind, the forest fires of the kali-yuga, fires caused by the stupidity of
    those who think things can be gained and lost whereas in truth all is contained vast and free in the Blue Sky and Green Earth of One Mind;
  • Round-bellied to show his kind nature and that the great earth has food enough for everyone who loves her and trusts her;
  • Trampling underfoot wasteful freeways and needless suburbs; smashing the worms of capitalism and
    totalitarianism;
  • Indicating the Task: his followers, becoming free of cars, houses, canned foods, universities, and shoes;
    master the Three Mysteries of their own Body, Speech, and Mind; and fearlessly chop down the rotten
    trees and prune out the sick limbs of this country America and then burn the leftover trash.
Wrathful but Calm. Austere but Comic. Smokey the Bear will
Illuminate those who would help him; but for those who would hinder or
slander him,
HE WILL PUT THEM OUT.
Thus his great Mantra:
Namah samanta vajranam chanda maharoshana
Sphataya hum traka ham nam
"I DEDICATE MYSELF TO THE UNIVERSAL DIAMOND
BE THIS RAGING FURY DESTROYED"
And he will protect those who love woods and rivers,
Gods and animals, hobos and madmen, prisoners and sick
people, musicians, playful women, and hopeful children:

And if anyone is threatened by advertising, air pollution, television,
or the police, they should chant SMOKEY THE BEAR'S WAR SPELL:
DROWN THEIR BUTTS
CRUSH THEIR BUTTS
DROWN THEIR BUTTS
CRUSH THEIR BUTTS
And SMOKEY THE BEAR will surely appear to put the enemy out
with his vajra-shovel.
  • Now those who recite this Sutra and then try to put it in practice will accumulate merit as countless as the sands of Arizona and Nevada.
  • Will help save the planet Earth from total oil slick.
  • Will enter the age of harmony of man and nature.
  • Will win the tender love and caresses of men, women, and beasts.
  • Will always have ripe blackberries to eat and a sunny spot under a pine tree to sit at.
  • AND IN THE END WILL WIN HIGHEST PERFECT ENLIGHTENMENT.

    thus have we heard.

    (may be reproduced free forever)

On Top by Gary Snyder

All this new stuff goes on top
turn it over, turn it over
wait and water down
from the dark bottom
turn it inside out
let it spread through
Sift down even.
Watch it sprout.

A mind like compost

How Poetry Comes to Me by Gary Snyder

It comes blundering over the
Boulders at night, it stays
Frightened outside the
Range of my campfire
I go to meet it at the
Edge of the light

Thursday 23 January 2014

F

fey
feɪ/
adjective
adjective: fey; comparative adjective: feyer; superlative adjective: feyest
  1. 1.
    giving an impression of vague unworldliness or mystery.
    "a rather fey romantic novelist"
  2. 2.
    having supernatural powers of clairvoyance.
  3. 3.
    SCOTTISHarchaic
    fated to die or at the point of death.

Friday 17 January 2014

A fragment of The Arimaspea by Aristeas

A marvel exceeding great is this withal to my soul—
Men dwell on the water afar from the land, where deep seas roll.
Wretches are they, for they reap but a harvest of travail and pain,
Their eyes on the stars ever dwell, while their hearts abide in the main.
Often, I ween, to the Gods are their hands upraised on high,
And with hearts in misery heavenward-lifted in prayer do they cry.

Wednesday 15 January 2014

he was born on the brink of a disastrous day by Juan Gelman

he was born on the brink of a disastrous day
face to face with another just like it but
in the split or opening between the two
he had a kind of warm feeling so

he saw happiness
as a sudden break
in the heart of those identical
doomed barren painful times

when his life was snuffed out
his eyes were soft with subdued anger
or were falling like autumn leaves
in hard transparent sheets

that toured the world
and toured the heart
yet no one breathed a word
to sergeant MacIntire about this

Tuesday 14 January 2014

GK Chesterton

"The ordinary man has always been sane because the ordinary man has always been a mystic. He has permitted the twilight. He has always had one foot in earth and the other in fairyland. He has always left himself free to doubt his gods; but (unlike the agnostic of to-day) free also to believe in them. He has always cared more for truth than for consistency. If he saw two truths that seemed to contradict each other, he would take the two truths and contradiction along with them. His spiritual sight is stereoscopic, like his physical sight: he sees two different pictures at once and yet sees all the better for that. [...] Man can understand everything by the help of what he does not understand. The morbid logician seeks to make everything lucid, and succeeds in making everything mysterious. The mystic allows one thing to be mysterious, and everything else becomes lucid."

Sunday 12 January 2014

poetry and counterintelligence

At first glance catching spies and studying English poetry do not seem closely related – both, when competently done, are based on recognizing patterns. It is no accident that some of the most effective British and American counterintelligence officers in World War II were drafted into that war from positions as critics of English literature. They had been trained to look for multiple meanings, to examine the assumptions hidden in words and phrases, and to grasp the whole structure of a poem or a play, not just the superficial plot or statement. So the multiple meanings, the hidden assumptions and the larger patterns of a CI (counterintelligence) case were grist for their mill. I do not require my young CI officers to be able to discuss the complexities of a Shakespeare play, but if I catch them studying Brooks and Warren’s Understanding Poetry, I do not send them off to the firing range. I tell them to go and read Cleanth Brooks on “The Language of Paradox, because counterintelligence is the act of paradox.