Sunday, 31 May 2015

Everything Is Going to Be All Right by Derek Mahon

How should I not be glad to contemplate
the clouds clearing beyond the dormer window
and a high tide reflected on the ceiling?
There will be dying, there will be dying,
but there is no need to go into that.
The poems flow from the hand unbidden
and the hidden source is the watchful heart.
The sun rises in spite of everything
and the far cities are beautiful and bright.
I lie here in a riot of sunlight
watching the day break and the clouds flying.
Everything is going to be all right.

Thursday, 7 May 2015

In my Craft or Sullen Art by Dylan Thomas

In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms,
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.

Not Ideas About the Thing but the Thing Itself by Wallace Stevens

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird’s cry at daylight or before,
In the early March wind

The sun was rising at six,
No longer a battered panache above snow . . .
It would have been outside.

It was not from the vast ventriloquism
Of sleep’s faded papier mâché . . .
The sun was coming from outside.

That scrawny cry—it was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

May by Johnathan Galassi

The backyard apple tree gets sad so soon,   
takes on a used-up, feather-duster look   
within a week.

The ivy’s spring reconnaissance campaign   
sends red feelers out and up and down   
to find the sun.

Ivy from last summer clogs the pool,   
brewing a loamy, wormy, tea-leaf mulch   
soft to the touch

and rank with interface of rut and rot.
The month after the month they say is cruel   
is and is not.

In Perpetual Spring by Amy Gerstler

Gardens are also good places
to sulk. You pass beds of
spiky voodoo lilies
and trip over the roots
of a sweet gum tree,
in search of medieval
plants whose leaves,
when they drop off
turn into birds
if they fall on land,
and colored carp if they
plop into water.

Suddenly the archetypal
human desire for peace
with every other species
wells up in you. The lion   
and the lamb cuddling up.
The snake and the snail, kissing.
Even the prick of the thistle,
queen of the weeds, revives
your secret belief
in perpetual spring,
your faith that for every hurt
there is a leaf to cure it.

April Midnight by Arthur Symons

Side by side through the streets at midnight,
Roaming together,
Through the tumultuous night of London,
In the miraculous April weather.
 
Roaming together under the gaslight,
Day’s work over,
How the Spring calls to us, here in the city,
Calls to the heart from the heart of a lover!
 
Cool to the wind blows, fresh in our faces,
Cleansing, entrancing,
After the heat and the fumes and the footlights,
Where you dance and I watch your dancing.
 
Good it is to be here together,
Good to be roaming,
Even in London, even at midnight,
Lover-like in a lover’s gloaming.
 
You the dancer and I the dreamer,
Children together,
Wandering lost in the night of London,


In the miraculous April weather.

“There is a gold light in certain old paintings” by Donald Justice

1

There is a gold light in certain old paintings
That represents a diffusion of sunlight.
It is like happiness, when we are happy.
It comes from everywhere and from nowhere at once, this light,
              And the poor soldiers sprawled at the foot of the cross
              Share in its charity equally with the cross.

       2

Orpheus hesitated beside the black river.
With so much to look  forward to he looked back.
We think he sang then, but the song is lost.
At  least he had seen once more the  beloved back.
              I say the song went this way: O prolong
             Now the sorrow if that is all there is to prolong.

      3

The world is very dusty, uncle. Let us work.
One day the sickness shall pass from the earth for good.
The orchard will bloom; someone will play the guitar.
Our work will be seen as strong and clean and good.
              And all that we suffered through having existed
              Shall be forgotten as though it had never existed.

The Evening of the Mind by Donald Justice

Now comes the evening of the mind.
Here are the fireflies twitching in the blood;
Here is the shadow moving down the page
Where you sit reading by the garden wall.
Now the dwarf peach trees, nailed to their trellises,
Shudder and droop. Your know their voices now,
Faintly the martyred peaches crying out
Your name, the name nobody knows but you.
It is the aura and the coming on.
It is the thing descending, circling, here.
And now it puts a claw out and you take it.
Thankfully in your lap you take it, so.

You said you would not go away again,
You did not want to go away—and yet,
It is as if you stood out on the dock
Watching a little boat drift out
Beyond the sawgrass shallows, the dead fish ...
And you were in it, skimming past old snags,
Beyond, beyond, under a brazen sky
As soundless as a gong before it’s struck—
Suspended how?—and now they strike it, now
The ether dream of five-years-old repeats, repeats,
And you must wake again to your own blood
And empty spaces in the throat.

Wednesday, 6 May 2015

“America is not a young land: it is old and dirty and evil before the settlers, before the Indians. The evil is there waiting.”

Friday, 17 April 2015

Moon by JH Prynne

The night is already quiet and I am
bound in the rise and fall: learning
to wish always for more. This is the
means, the extension to keep very steady

so that the culmination
will be silent too and flow
with no trace of devoutness.

Since I must hold to the gradual in
this, as no revolution but a slow change
like the image of snow. The challenge is
not a moral excitement, but the expanse,

the continuing patience
dilating into forms so
much more than compact.

I would probably not even choose to inhabit the
wish as delay: it really is dark and the knowledge
of the unseen is a warmth which spreads into
the level ceremony of diffusion. The quiet

suggests that the act taken
extends so much further, there
is this insurgence of form:

we are more pliant than the mercantile notion
of choice will determine-we go in this way
on and on and the unceasing image of hope
is our place in the world. We live there and now

at night I recognise the signs
of this, the calm is a
modesty about conduct in

the most ethical sense. We disperse into the ether
as waves, we slant down into a precluded notion
of choice which becomes the unlearned habit of
wish: where we live, as we more often are than

we know. If we expand
into this wide personal vacancy
we could become the extent

of all the wishes that are now too far beyond
us. A community of wish, as the steppe
on which the extension would sprinkle out
the ethic density, the compact modern home.

The consequence of this
pastoral desire is prolonged
as our condition, but

I know there is more than the mere wish to
wander at large, since the wish itself diffuses
beyond this and will never end: these are songs
to the night under no affliction, knowing that

the wish is gift to the
spirit, is where we may
dwell as we would

go over and over within the life of the heart
and the grace which is open to both east and west.
These are psalms for the harp and the shining
stone: the negligence and still passion of night.

Sunday, 5 April 2015

reverie

2. Despite the skinny ties, rivers of booze, slightly-less-fat-January Joneses, and big houses in Connecticut–everyone one is deeply, irreparably unhappy. Life is so short as to be practically theoretical, and the wisdom of age that is supposed to ease the predations of body only serves to make one fact clearer: absolutely everything is meaningless.

3. That’s what all the lovingly re-created sets and outfits and haircuts and suits and art and cars and booze and Linoleum and Magnavoxes and computers and sleek furniture and tacky furniture and endless plumes of smoke are supposed to tell us: This isn’t a nostalgic reverie. Our sense of being in the present, at the height of social, political, or cultural advancement is a fraud that allows us to live with ourselves (just barely), to wake up every day and light a smoke without anything ever really changing.

Saturday, 4 April 2015

I Know No Better World by Ingeborg Bachmann

Who knows of a better world should step forward.
Alone, no longer out of bravery, not wiping away this saliva,
this saliva worn upon the cheek
as if to a coronation, as if redeemed, whether at communion
or among comrades. The weak rabbit,
the rat, and those fallen there, all of them,
no longer alone, but as one, though still afraid,
the dream of returning home
in the dream of armament, in the dream
of returning home.

Stay by Ingeborg Bachmann

Now the journey is ending,
the wind is losing heart.
Into your hands it's falling,
a rickety house of cards.

The cards are backed with pictures
displaying all the world.
You've stacked up all the images
and shuffled them with words.

And how profound the playing
that once again begins!
Stay, the card you're drawing
is the only world you'll win. 

Every Day Poem by Ingeborg Bachmann

War is no longer declared,
only continued. The monstrous
has become everyday. The hero
stays away from battle. The weak
have gone to the front.
The uniform of the day is patience,
its medal the pitiful star of hope above the heart.

The medal is awarded
when nothing more happens,
when the artillery falls silent,
when the enemy has grown invisible
and the shadow of eternal armament
covers the sky.

It is awarded
for desertion of the flag,
for bravery in the face of friends,
for the betrayal of unworthy secrets
and the disregard
of every command.

In The Storm Of Roses Poem by Ingeborg Bachmann

Wherever we turn in the storm of roses,
the night is lit up by thorns, and the thunder
of leaves, once so quiet within the bushes,
rumbling at our heels.

from Those Who Leave and Those Who Stay by Elena Ferrante

At 29 years old, encouraged by her sister-in-law, Lenù reads for the first time Carla Lonzi’s 1970 feminist pamphlet, Let’s Spit on Hegel:

Every sentence struck me, every word, and above all the bold freedom of thought. I forcefully underlined many of the sentences, I made exclamation points, vertical strokes. Spit on Hegel. Spit on the culture of men, spit on Marx, on Engels, on Lenin. And on historical materialism. And on Freud. And on psychoanalysis and penis envy. And on marriage, on family. And on Nazism, on Stalinism, on terrorism. And on war. And on the class struggle. And on the dictatorship of the proletariat. And on socialism. And on Communism. And on the trap of equality. And on all the manifestations of patriarchal culture. And on all its institutional forms. Resist the waste of female intelligence. . . . Restore women to themselves. . . . How is it possible, I wondered, that a woman knows how to think like that. I worked so hard on books, but I endured them, I never actually used them, I never turned them against themselves. This is thinking. This is thinking against. I — after so much exertion — don’t know how to think. . . . Lila, on the other hand, knows. It’s her nature. If she had studied, she would know how to think like this.

from Days of Abandonment by Elena Ferrante

I made an arrogant statement: these women are stupid. Cultured women, in comfortable circumstances, they broke like knick-knacks in the hands of their straying men. They seemed to me sentimental fools: I wanted to be different, I wanted to write stories about women with resources, women of invincible words, not a manual for the abandoned wife with her lost love at the top of her thoughts. I was young, I had pretensions. I didn’t like the impenetrable page, like a lowered blind. I liked light, air between the slats. I wanted to write stories full of breezes, of filtered rays where dust motes danced. And then I loved the writers who made you look through every line, to gaze downward and feel the vertigo of the depths, the blackness of inferno. I said it breathlessly, all in one gulp, which was something I never did, and my teacher smiled ironically, a little bitterly. She, too, must have lost someone, something. And now, more than twenty years later, the same thing was happening to me.

Saturday, 28 March 2015

streets of dreams

I have had a recurrent New York dream for the past 20 years. In it, I'm not there in flesh and blood: I'm more a bundle of perceptions and sensations. I'm inside the familiar dream bubble; all sound is magnified, as when your ear presses against the pillow. It's 4 A.M. between time zones. The pavement is damp, glowing yellow-pink from the street lamps. I'm in the weary, worn-down groaning part of town -- Crosby Street, Howard, Walker. The loading docks are waiting for the action to begin.

I'm definitely alone, but there's no urban anguish, no loneliness in my solitude. I am off the hook, luxuriously disembodied, hovering slyly above eye level. I'm out of reach. I swoop and skulk with impunity. The quiet is reverent. No event takes place.

Jeannie Hutchins, writer and performance artist, Carroll Gardens, Brooklyn

http://www.nytimes.com/1998/07/05/nyregion/streets-of-dreams-when-you-re-asleep-new-york-becomes-another-world.html?pagewanted=all&src=longreads

Monday, 23 March 2015

Mutability by Percy Shelley

We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!—yet soon
Night closes round, and they are lost forever:

Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.

We rest.—A dream has power to poison sleep;
We rise.—One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:

It is the same!—For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but mutability!

Sunday, 15 March 2015

Gravity's Rainbow

It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...secretly, it was being dictated instead by the needs of technology...by a conspiracy between human beings and techniques, by something that needed the energy-burst of war.

Get Drunk by Charles Baudelaire

Always be drunk.
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
Get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,
everything that groans
or rolls
or sings,
everything that speaks,
ask what time it is;
and the wind,
the wave,
the star,
the bird,
the clock
will answer you:
"Time to get drunk!
Don't be martyred slaves of Time,
Get drunk!
Stay drunk!
On wine, virtue, poetry, whatever!"

The Moment by Margaret Atwood


The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.

Larksong by Douglas Dunn

A laverock in its house of air is singing
May morning, May morning, and its trills drift
High on the flatland's abstract hill
In the down-below of England.
I am the aerial photograph it takes of me
On a sonar landscape
And it notates my sorrow
In Holderness, where summer frost
Melts from the green like her departing ghost

Anniversaries by Douglas Dunn

Day by nomadic day
Our anniversaries go by,
Dates anchored in an inner sky,
To utmost ground, interior clay.
It was September blue
When I walked with you first, my love,
In Roukenglen and Kelvingrove,
Inchinnan's beech-wood avenue.
That day will still exist
Long after I have joined you where
Rings radiate the dusty air
And bangles bind each powdered wrist.
Here comes that day again.
What shall I do? Instruct me, dear,
Longanimous encourager,
Sweet soul in the athletic rain
And wife now to the weather.

Wednesday, 11 March 2015

How should we meditate?

Buddha replied, “Whatsoever you do, do it with awareness; this is meditation. Walking, walk attentively, as if walking is everything; eating, eat with awareness, as if eating is everything; rising, rise with awareness; sitting, sit with awareness. All your actions become conscious, your mind does not travel beyond this moment, it remains in the moment, settles in the moment – this is meditation.

Tuesday, 10 March 2015

Neruda

"I love you straightforwardly, without complexities or pride; so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep."

Monday, 9 March 2015

Friendship by Octavio Paz

It is the awaited hour
Over the table falls
Interminably
The lamp’s spread hair
Night turns the window to immensity
There is no one here
Presence without name surrounds me

Thursday, 5 March 2015

portnoys complaint

He had learned the worst lesson that life can teach - that it makes no sense. And when that happens the happiness is never spontaneous again. It is artificial and, even then, bought at the price of an obstinate estrangement from oneself and one's history.

Tuesday, 3 March 2015

Loves Exquisite Freedom by Maya Angelou

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.

Gratefulness by Dale Biron

Each day the engine of my gratefulness
must be coaxed and primed into action.
Of course like any old clunker,
it would just as soon stay put.
For even after the labored start beats the inertia,
and the plume of white smoke struggles upward,
the same hills always appear,
soaring daily—tall and ominous as before.
There is the long slow hill of “aging
so gradual and smooth at first.
And then that steep grade called “the news.
Yes, and always some mountain of a war
looming out there, never too far in the distance.
Even an old idea or a feeling long abandoned
might conspire to halt this fragile progress –
valves sputtering, tires flattening, clutch slipping.
But the old “potato, potato, potato” sound
of the engine, and all its mysterious fuel,
for which I am truly grateful
somehow
keeps stumbling along.

Ah Ah by Joy Harjo

Ah, ah cries the crow arching toward the heavy sky over the marina.
Lands on the crown of the palm tree.

Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.

Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.

Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.

Ah, ah tatttoos the engines of your plane against the sky—away from these
       waters.
Each paddle stroke follows the curve from reach to loss.

Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.

Pray for Peace by Ellen Bass

Pray to whomever you kneel down to:
Jesus nailed to his wooden or plastic cross,
his suffering face bent to kiss you,
Buddha still under the bo tree in scorching heat,
Adonai, Allah. Raise your arms to Mary
that she may lay her palm on our brows,
to Shekhina, Queen of Heaven and Earth,
to Inanna in her stripped descent.

Then pray to the bus driver who takes you to work.
On the bus, pray for everyone riding that bus,
for everyone riding buses all over the world.
Drop some silver and pray.

Waiting in line for the movies, for the ATM,
for your latte and croissant, offer your plea.
Make your eating and drinking a supplication.
Make your slicing of carrots a holy act,
each translucent layer of the onion, a deeper prayer.

To Hawk or Wolf, or the Great Whale, pray.
Bow down to terriers and shepherds and Siamese cats.
Fields of artichokes and elegant strawberries.

Make the brushing of your hair
a prayer, every strand its own voice,
singing in the choir on your head.
As you wash your face, the water slipping
through your fingers, a prayer: Water,
softest thing on earth, gentleness
that wears away rock.

Making love, of course, is already prayer.
Skin, and open mouths worshipping that skin,
the fragile cases we are poured into.

If you’re hungry, pray. If you’re tired.
Pray to Gandhi and Dorothy Day.
Shakespeare. Sappho. Sojourner Truth.

When you walk to your car, to the mailbox,
to the video store, let each step
be a prayer that we all keep our legs,
that we do not blow off anyone else’s legs.
Or crush their skulls.
And if you are riding on a bicycle
or a skateboard, in a wheelchair, each revolution
of the wheels a prayer as the earth revolves:
less harm, less harm, less harm.

And as you work, typing with a new manicure,
a tiny palm tree painted on one pearlescent nail
or delivering soda or drawing good blood
into rubber-capped vials, writing on a blackboard
with yellow chalk, twirling pizzas—

With each breath in, take in the faith of those
who have believed when belief seemed foolish,
who persevered. With each breath out, cherish.

Pull weeds for peace, turn over in your sleep for peace,
feed the birds, each shiny seed
that spills onto the earth, another second of peace.
Wash your dishes, call your mother, drink wine.

Shovel leaves or snow or trash from your sidewalk.
Make a path. Fold a photo of a dead child
around your VISA card. Scoop your holy water
from the gutter. Gnaw your crust.
Mumble along like a crazy person, stumbling
your prayer through the streets.

Eliminating the Horizon by Linda Nemec Foster

Who needs boundaries?
If your eyes fail to imagine
where the earth ends and the sky
begins, think of a place bereft
of lines:  the blue depths of a stream
flowing like hair that will never
be combed.  Deep indigo of nothing
but fluid memory ebbing around
blossoms of white asters.  “I remember        
how flowers feel when you barely
touch them,” says the water.  Like leaving
one world and embracing another:
seeds bursting into wildflowers,
clouds changing into rain,
the image of our borders
a mere outline the soul ignores.

I Am Going to Start Living Like a Mystic by Edmund Hirsch

Today I am pulling on a green wool sweater
and walking across the park in a dusky snowfall.

The trees stand like twenty-seven prophets in a field,
each a station in a pilgrimage—silent, pondering.

Blue flakes of light falling across their bodies
are the ciphers of a secret, an occultation.

I will examine their leaves as pages in a text
and consider the bookish pigeons, students of winter.

I will kneel on the track of a vanquished squirrel
and stare into a blank pond for the figure of Sophia.

I shall begin scouring the sky for signs
as if my whole future were constellated upon it.

I will walk home alone with the deep alone,
a disciple of shadows, in praise of the mysteries.

The Third Body by Robert Bly

A man and a woman sit near each other, and they do not long
at this moment to be older, or younger, nor born
in any other nation, or time, or place.
They are content to be where they are, talking or not talking.
Their breaths together feed someone whom we do not know.
The man sees the way his fingers move;
he sees her hands close around a book she hands to him.
They obey a third body that they share in common.
They have made a promise to love that body.
Age may come, parting may come, death will come.
A man and a woman sit near each other;
as they breathe they feed someone we do not know,
someone we know of, whom we have never seen.

Friday, 20 February 2015

I Tell You by Susan Glassmeyer

I could not predict the fullness
of the day. How it was enough
to stand alone without help
in the green yard at dawn.

How two geese would spin out
of the ochre sun opening my spine,
curling my head up to the sky
in an arc I took for granted.

And the lilac bush by the red
brick wall flooding the air
with its purple weight of beauty?
How it made my body swoon,

brought my arms to reach for it
without even thinking.

*

In class today a Dutch woman split
in two by a stroke—one branch
of her body a petrified silence—
walked leaning on her husband

to the treatment table while we
the unimpaired looked on with envy.
How he dignified her wobble,
beheld her deformation, untied her

shoe, removed the brace that stakes
her weaknesses. How he cradled
her down in his arms to the table
smoothing her hair as if they were

alone in their bed. I tell you—
his smile would have made you weep.

*

At twilight I visit my garden
where the peonies are about to burst.

Some days there will be more
flowers than the vase can hold.

Today I Was So Happy, So I Made This Poem by James Wright

As the plump squirrel scampers
Across the roof of the corncrib,
The moon suddenly stands up in the darkness,
And I see that it is impossible to die.
Each moment of time is a mountain.
An eagle rejoices in the oak trees of heaven,
Crying
This is what I wanted.

Breaking Through by Camille A. Balla

Driving to the next hurried errand
with a list swimming in my head,
I brake for the web-footed family—
not crossing the road,
but walking tall in a single straight line
headed in the opposite direction—
five dark gray long-necked profiles
observing the slow lane,
cars behind them crawling.

I hear myself exclaim delight
at this sweet, slow-moving sight.

A sunny sermon
quietly breaks through—
not citing lilies of the field
or birds of the air
but a family of geese—
right here on the blacktop.

Ten Thousand Flowers in Spring by Wu Men

Ten thousand flowers in spring, the moon in autumn,
a cool breeze in summer, snow in winter.
If your mind isn’t clouded by unnecessary things,
this is the best season of your life.

we’re building the ship as we sail it by kay ryan

The first fear
being drowning, the
ship’s first shape
was a raft, which
was hard to unflatten
after that didn’t
happen. It’s awkward
to have to do one’s
planning in extremis
in the early years—
so hard to hide later:
sleekening the hull,
making things
more gracious.

a conceit by maya angelou

Give me your hand

Make room for me
to lead and follow
you
beyond this rage of poetry.

Let others have
the privacy of
touching words
and love of loss
of love.

For me
Give me your hand.

snowfall by mark strand

Watching snow cover the ground, cover itself,
cover everything that is not you, you see
it is the downward drift of light
upon the sound of air sweeping away the air,
it is the fall of moments into moments, the burial
of sleep, the down of winter, the negative of night.

the dipper by kathleen jamie

It was winter, near freezing,
I’d walked through a forest of firs
when I saw issue out of the waterfall
a solitary bird.

It lit on a damp rock,
and, as water swept stupidly on,
wrung from its own throat
supple, undammable song.

It isn’t mine to give.
I can’t coax this bird to my hand
that knows the depth of the river
yet sings of it on land.

infinite number of half-distances by mira gonzalez

you lay on the floor of your room
you bite your fingers until they bleed
you feel something motionless at the base of your head
in the morning you can’t feel your arms
nothing to write about, not really
you take drugs alone
and stumble around your house
uncreated, unloved
you think think they want you, sometimes
they tell you that your body is proportioned well
they think you will make them better, somehow
you can feel anything for a few minutes
you identify with people who criticize you
nothing leads to improvement
at night you think about loving things only a little bit
in the morning, you read about global warming
or the economic collapse
the edges of things seem abruptly hard to define
you park your car under a tree in the dark
become startled and drive somewhere else

Thursday, 19 February 2015

For Jessica, my Daughter by Mark Strand

Tonight I walked,
lost in my own meditation,
and was afraid,
not of the labyrinth
that I have made of love and self
but of the dark and faraway.
I walked, hearing the wind in the trees,
feeling the cold against my skin,
but what I dwelled on
were the stars blazing
in the immense arc of sky.

Jessica, it is so much easier
to think of our lives,
as we move under the brief luster of leaves,
loving what we have,
than to think of how it is
such small beings as we
travel in the dark
with no visible way
or end in sight.

Yet there were times I remember
under the same sky
when the body's bones became light
and the wound of the skull
opened to receive
the cold rays of the cosmos,
and were, for an instant,
themselves the cosmos,
there were times when I could believe
we were the children of stars
and our words were made of the same
dust that flames in space,
times when I could feel in the lightness of breath
the weight of a whole day
come to rest.

But tonight
it is different.
Afraid of the dark
in which we drift or vanish altogether,
I imagine a light
that would not let us stray too far apart,
a secret moon or mirror,
a sheet of paper,
something you could carry
in the dark
when I am away.

Walking in Mountains in the Rain by Wang Wei

In this quick cloudburst
air thickens, the sky comes down

dark mountains
flashes of lightning

out at sea new clouds
have just started to form
and this small brook I straddle
is a river in flood somewhere

rags and blankets of mist
hang on these slopes and cliffs

then the clouds open and vanish
rain patters off
and moonlight silvers
that whole reach of river
foothills to ocean

and even from this black mountain
I can hear boatmen singing.

To Say Nothing but Thank You by Jeanne Lohmann

All day I try to say nothing but thank you,
breathe the syllables in and out with every step I
take through the rooms of my house and outside into
a profusion of shaggy-headed dandelions in the garden
where the tulips’ black stamens shake in their crimson cups.

I am saying thank you, yes, to this burgeoning spring
and to the cold wind of its changes. Gratitude comes easy
after a hot shower, when my loosened muscles work,
when eyes and mind begin to clear and even unruly
hair combs into place.

Dialogue with the invisible can go on every minute,
and with surprising gaiety I am saying thank you as I
remember who I am, a woman learning to praise
something as small as dandelion petals floating on the
steaming surface of this bowl of vegetable soup,
my happy, savoring tongue.

Eyes-Shut Facing Eyes-Rolling-Around" [excerpt] by Rumi

Pay close attention to your mean thoughts.

That sourness may be a blessing,
as an overcast day brings rain for the roses
and relief to dry soil.

Don't look so sourly on your sourness!
It may be it's carrying what you most deeply need
and want. What seems to be keeping you from joy
may be what leads you to joy.

Don't call it a dead branch.
Call it the live, moist root.

Don't always be waiting to see
what's behind it. That wait and see
poisons your Spirit.

Reach for it.
Hold your meanness to your chest
as a healing root,
and be through with waiting.

Tuesday, 3 February 2015

A monk asked, "what is the true substance of a person?"
The Master said, "spring, summer, autumn, winter."

Friday, 2 January 2015

A Wave on Our Window by Wang Changling

Lying on a high seat in the south study,
We have lifted the curtain—and we see the rising moon
Brighten with pure light the water and the grove
And flow like a wave on our window and our door.
It will move through the cycle, full moon and then crescent again,
Calmly, beyond our wisdom, altering new to old.
… Our chosen one, our friend, is now by a limpid river—
Singing, perhaps, a plaintive eastern song.
He is far, far away from us, three hundred miles away.
And yet a breath of orchids comes along the wind.

http://www.paulboccaccio.com/blog/2012/09/15/a-wave-on-our-window/

Wednesday, 31 December 2014

New Year Haiku by Issa

New Year’s Day–
everything is in blossom!
I feel about average.

Te Deum by Charles Reznikoff

Not because of victories
I sing,
having none,
but for the common sunshine,
the breeze,
the largess of the spring.

Not for victory
but for the day’s work done
as well as I was able;
not for a seat upon the dais
but at the common table.

The Old Year by John Clare

The Old Year’s gone away
     To nothingness and night:
We cannot find him all the day
     Nor hear him in the night:
He left no footstep, mark or place
     In either shade or sun:
The last year he’d a neighbour’s face,
     In this he’s known by none.

All nothing everywhere:
     Mists we on mornings see
Have more of substance when they’re here
     And more of form than he.
He was a friend by every fire,
     In every cot and hall--
A guest to every heart’s desire,
     And now he’s nought at all.

Old papers thrown away,
     Old garments cast aside,
The talk of yesterday,
     Are things identified;
But time once torn away
     No voices can recall:
The eve of New Year’s Day
     Left the Old Year lost to all.

On a New Year's Eve by June Jordan

Infinity doesn't interest me

 not altogether
 anymore

 I crawl and kneel and grub about
 I beg and listen for

 what can go away
                   (as easily as love)

 or perish
 like the children
 running
 hard on oneway streets/infinity
 doesn't interest me

 not anymore

 not even
 repetition your/my/eye-
 lid or the colorings of sunrise
 or all the sky excitement
 added up

 is not enough

 to satisfy this lusting admiration that I feel
 for
 your brown arm before it
 moves

 MOVES
 CHANGES UP

 the temporary sacred
 tales ago
 first bikeride round the house
 when you first saw a squat
 opossum
 carry babies on her back

 opossum up
 in the persimmon tree
 you reeling toward
 that natural
 first
 absurdity
 with so much wonder still
 it shakes your voice

                      the temporary is the sacred
                      takes me out

 and even the stars and even the snow and even
 the rain
 do not amount to much unless these things submit to some disturbance
 some derangement such
 as when I yield myself/belonging
 to your unmistaken
 body

 and let the powerful lock up the canyon/mountain
 peaks the
 hidden rivers/waterfalls the
 deepdown minerals/the coalfields/goldfields
 diamond mines close by the whoring ore
 hot
 at the center of the earth

 spinning fast as numbers
 I cannot imagine

 let the world blot
 obliterate remove so-
 called
 magnificence
 so-called
 almighty/fathomless and everlasting
 treasures/
 wealth
 (whatever that may be)

 it is this time
 that matters

 it is this history
 I care about

 the one we make together
 awkward
 inconsistent
 as a lame cat on the loose
 or quick as kids freed by the bell
 or else as strictly
 once
 as only life must mean
 a once upon a time

 I have rejected propaganda teaching me
 about the beautiful
 the truly rare

 (supposedly
 the soft push of the ocean at the hushpoint of the shore
 supposedly
 the soft push of the ocean at the hushpoint of the shore
 is beautiful
 for instance)
 but
 the truly rare can stay out there

 I have rejected that
 abstraction that enormity
 unless I see a dog walk on the beach/
 a bird seize sandflies
 or yourself
 approach me
 laughing out a sound to spoil
 the pretty picture
 make an uncontrolled
 heartbeating memory
 instead

 I read the papers preaching on
 that oil and oxygen
 that redwoods and the evergreens
 that trees the waters and the atmosphere
 compile a final listing of the world in
 short supply

 but all alive and all the lives
 persist perpetual
 in jeopardy
 persist
 as scarce as every one of us
 as difficult to find
 or keep
 as irreplaceable
 as frail
 as every one of us

 and
 as I watch your arm/your
 brown arm
 just before it moves

 I know

 all things are dear
 that disappear

 all things are dear
 that disappear

http://wonderingminstrels.blogspot.co.uk/2002/10/on-new-year-eve-june-jordan.html

Sunday, 14 December 2014

An Autumn Reverie by Ella Wheeler Wilcox

Through all the weary, hot midsummer time,
My heart has struggled with its awful grief.
And I have waited for these autumn days,
Thinking the cooling winds would bring relief.
For I remembered how I loved them once,
When all my life was full of melody.
And I have looked and longed for their return,
Nor thought but they would seem the same, to me.
The fiery summer burned itself away,
And from the hills, the golden autumn time
Looks down and smiles. The fields are tinged with brown—
The birds are talking of another clime.
The forest trees are dyed in gorgeous hues,
And weary ones have sought an earthy tomb.
But still the pain tugs fiercely at my heart—
And still my life is wrapped in awful gloom.
The winds I thought would cool my fevered brow,
Are bleak, and dreary; and they bear no balm.
The sounds I thought would soothe my throbbing brain,
Are grating discords; and they can not calm
This inward tempest. Still it rages on.
My soul is tost upon a troubled sea,
I find no pleasure in the olden joys—
The autumn is not as it used to be.
I hear the children shouting at their play!
Their hearts are happy, and they know not pain.
To them the day brings sunlight, and no shade.
And yet I would not be a child again.
For surely as the night succeeds the day,
So surely will their mirth turn into tears.
And I would not return to happy hours,
If I must live again these weary years.
I would walk on, and leave it all behind:
will walk on; and when my feet grow sore,
The boatman waits—his sails are all unfurled—
He waits to row me to a fairer shore.
My tired limbs shall rest on beds of down,
My tears shall all be wiped by Jesus’ hand;
My soul shall know the peace it long hath sought --
A peace too wonderful to understand.

There Is Absolutely Nothing Lonelier by Matthew Rohrer

There is absolutely nothing lonelier
than the little Mars rover
never shutting down, digging up
rocks, so far away from Bond street
in a light rain. I wonder
if he makes little beeps? If so
he is lonelier still. He fires a laser
into the dust. He coughs. A shiny
thing in the sand turns out to be his.

November by Helen Hunt Jackson

This is the treacherous month when autumn days
With summer’s voice come bearing summer’s gifts.
Beguiled, the pale down-trodden aster lifts
Her head and blooms again. The soft, warm haze
Makes moist once more the sere and dusty ways,
And, creeping through where dead leaves lie in drifts,
The violet returns. Snow noiseless sifts
Ere night, an icy shroud, which morning’s rays
Will idly shine upon and slowly melt,
Too late to bid the violet live again.
The treachery, at last, too late, is plain;
Bare are the places where the sweet flowers dwelt.
What joy sufficient hath November felt?
What profit from the violet’s day of pain?

Sunday, 16 November 2014

The Last Graveyard by Xu Lizhi

Even the machine is nodding off
Sealed workshops store diseased iron
Wages concealed behind curtains
Like the love that young workers bury at the bottom of their hearts
With no time for expression, emotion crumbles into dust
They have stomachs forged of iron
Full of thick acid, sulfuric and nitric
Industry captures their tears before they have the chance to fall
Time flows by, their heads lost in fog
Output weighs down their age, pain works overtime day and night
In their lives, dizziness before their time is latent
The jig forces the skin to peel
And while it's at it, plates on a layer of aluminum alloy
Some still endure, while others are taken by illness
I am dozing between them, guarding
The last graveyard of our youth.

I Fall Asleep, Just Standing Like That by Xu Lizhi

The paper before my eyes fades yellow
With a steel pen I chisel on it uneven black
Full of working words
Workshop, assembly line, machine, work card, overtime, wages...
They've trained me to become docile
Don't know how to shout or rebel
How to complain or denounce
Only how to silently suffer exhaustion
When I first set foot in this place
I hoped only for that grey pay slip on the tenth of each month
To grant me some belated solace
For this I had to grind away my corners, grind away my words
Refuse to skip work, refuse sick leave, refuse leave for private reasons
Refuse to be late, refuse to leave early
By the assembly line I stood straight like iron, hands like flight,
How many days, how many nights
Did I - just like that - standing fall asleep?

I Swallowed a Moon Made of Iron by Xu Lizhi

I swallowed a moon made of iron
They refer to it as a nail
I swallowed this industrial sewage, these unemployment documents
Youth stooped at machines die before their time
I swallowed the hustle and the destitution
Swallowed pedestrian bridges, life covered in rust
I can't swallow any more
All that I've swallowed is now gushing out of my throat
Unfurling on the land of my ancestors
Into a disgraceful poem.

Thursday, 30 October 2014

musons verse

The spring flowers, the autumn moon;
Summer breezes, winter snow.
If useless things do not clutter your mind,
You have the best days of your life.

Thomas Pynchon

“We have to look for power sources here, and distribution networks we were never taught, routes of power our teachers never imagined, or were encouraged to avoid … we have to find meters whose scales are unknown in the world, draw our own schematics, getting feedback, making connections, reducing the error, trying to learn the real function … zeroing in on what incalculable plot?”

Wednesday, 29 October 2014

anais nin

“Each friend represents a world in us, a world not possibly born until they arrive, and it is only by this meeting that a new world is born.”

Sunday, 26 October 2014

Kenneth Patchen

You have used a word
Which means nothing.
You have given a word
The power to send men to death.
Men are not free who are sent to die.
Only those who send them are ‘free.’
You should have freedom stuffed down your fat throats.

Sunday, 19 October 2014

Canada Geese by Robert Davidson

Out of the haar, in flight,
in formation, in position, each eye
on the white rump in front, each aware
of the white bar on a face away to the side.
Direct, speedy – the flock is two waving lines
passing between mountains, over salt water,
following the coast, a creamy shoreline
broadening on to marshes, tidal islands
until – ahead and below – something familiar,
another flock resting on a sand bar.
Down they go.

Down, level with the hills.
Down, level with the road.
Down, level with the shore.
Skimming over water the lead bird
working hardest, the wind from his wings lifting
the following bird, then the next until
they are all floating on air broken by the birds in front.

They lift to cross an island. Come down again
on the other side. Up ahead, white-barred heads
turn on long necks. Take care! Take care!
crying from the bar, and from the air the flight
calls back, We’re here! We’re here! The sky
between sand bar and flight filled with voice.
Take care! We’re here! Take care! We’re here!

Spreading their wings, turning them downwards,
they stretch out webbed feet. Everthing now,
every part of them, is catching the air,
slowing them, dropping them.
Take care! Take care!
In they come as though they must scatter
the geese on the sand like marbles, but now
their dropped wings lift them and bring them
down again, slower now, one after the other,
feet planing across the water, all together

hhhiiiiiiiisssssssshhhhhhhhhhh!!!

to sit down on it, glide along the surface and paddle out
onto the sand, to become a feathery conference
of webs, wings, necks and beaks, all crying together.
We’re here! We’re here!

The Geese by Richard Peck

My father was the first to hear
The passage of the geese each fall,
Passing above the house so near,
He’d hear within his heart their call.

And then at breakfast time he'd say:
"The geese were heading south last night,"
For he had lain awake till day,
Feeling his earthbound soul take flight.

Knowing that winter's wind comes soon
After the rushing of those wings,
Seeing them pass before the moon,
Recalling the lure of far-off things.

Wednesday, 8 October 2014

A Colour of the Sky by Tony Hoagland

Windy today and I feel less than brilliant,
driving over the hills from work.
There are the dark parts on the road
                     when you pass through clumps of wood   
and the bright spots where you have a view of the ocean,   
but that doesn’t make the road an allegory.

I should call Marie and apologize
for being so boring at dinner last night,
but can I really promise not to be that way again?   
And anyway, I’d rather watch the trees, tossing   
in what certainly looks like sexual arousal.

Otherwise it’s spring, and everything looks frail;
the sky is baby blue, and the just-unfurling leaves
are full of infant chlorophyll,   
the very tint of inexperience.

Last summer’s song is making a comeback on the radio,   
and on the highway overpass,
the only metaphysical vandal in America has written   
MEMORY LOVES TIME
in big black spraypaint letters,

which makes us wonder if Time loves Memory back.

Last night I dreamed of X again.
She’s like a stain on my subconscious sheets.   
Years ago she penetrated me
but though I scrubbed and scrubbed and scrubbed,   
I never got her out,
but now I’m glad.

What I thought was an end turned out to be a middle.   
What I thought was a brick wall turned out to be a tunnel.   
What I thought was an injustice
turned out to be a color of the sky.

Outside the youth center, between the liquor store   
and the police station,
a little dogwood tree is losing its mind;

overflowing with blossomfoam,   
like a sudsy mug of beer;
like a bride ripping off her clothes,

dropping snow white petals to the ground in clouds,

so Nature’s wastefulness seems quietly obscene.   
It’s been doing that all week:
making beauty,
and throwing it away,
and making more.

Monday, 6 October 2014

Viewing Peach Blossoms and Realizing the Way by Dogen

In spring wind
peach blossoms
begin to come apart.
Doubts do not grow
branches and leaves.

You Do Not Need Many Things by Ryokan

My house is buried in the deepest recess of the forest
Every year, ivy vines grow longer than the year before.
Undisturbed by the affairs of the world I live at ease,
Woodmen’s singing rarely reaching me through the trees.
While the sun stays in the sky, I mend my torn clothes
And facing the moon, I read holy texts aloud to myself.
Let me drop a word of advice for believers of my faith.
To enjoy life’s immensity, you do not need many things.

Love Poems Between Ryokan and Teishin

Was it really you
I saw
Or is this joy
I still feel
only a dream?
--Teishin

In this dream world
We doze
And talk of dreams --
Dream, dream on,
As much as you wish
--Ryokan

Here with you
I could remain
For countless days and years
Silent as the bright moon
We watched together
--Teishin

have you forgotten me
Or lost the path here?
I wait for you
All day, every day
But you do not appear
--Ryokan

The moon, I'm sure
Is shining brightly
High above the mountains
But gloomy clouds
Shroud the peak in darkness
--Teishin

You must rise above
The gloomy clouds
Covering the mountaintop
Otherwise, how will you
Ever see the brightness?
--Ryokan

Ryokan

Now it reveals its hidden side
and now the other—thus it falls,
an autumn leaf.

Issa

Everything I touch
with tenderness, alas,
pricks like a bramble.

Issa

dawn's glow
hasn't quite yet dyed
the dewdrops

Zen of Housework by Al Zolynas

I look over my own shoulder
down my arms
to where they disappear under water
into hands inside pink rubber gloves
moiling among dinner dishes.

My hands lift a wine glass,
holding it by the stem and under the bowl.
It breaks the surface
like a chalice
rising from a medieval lake.

Full of the grey wine
of domesticity, the glass floats
to the level of my eyes.
Behind it, through the window
above the sink, the sun, among
a ceremony of sparrows and bare branches,
is setting in Western America.

I can see thousands of droplets
of steam—each a tiny spectrum—rising
from my goblet of grey wine.
They sway, changing directions
constantly—like a school of playful fish,
or like the sheer curtain
on the window to another world.

Ah, grey sacrament of the mundane!