Now the journey is ending,
the wind is losing heart.
Into your hands it's falling,
a rickety house of cards.
The cards are backed with pictures
displaying all the world.
You've stacked up all the images
and shuffled them with words.
And how profound the playing
that once again begins!
Stay, the card you're drawing
is the only world you'll win.
Saturday, 4 April 2015
Every Day Poem by Ingeborg Bachmann
War is no longer declared,
only continued. The monstrous
has become everyday. The hero
stays away from battle. The weak
have gone to the front.
The uniform of the day is patience,
its medal the pitiful star of hope above the heart.
The medal is awarded
when nothing more happens,
when the artillery falls silent,
when the enemy has grown invisible
and the shadow of eternal armament
covers the sky.
It is awarded
for desertion of the flag,
for bravery in the face of friends,
for the betrayal of unworthy secrets
and the disregard
of every command.
only continued. The monstrous
has become everyday. The hero
stays away from battle. The weak
have gone to the front.
The uniform of the day is patience,
its medal the pitiful star of hope above the heart.
The medal is awarded
when nothing more happens,
when the artillery falls silent,
when the enemy has grown invisible
and the shadow of eternal armament
covers the sky.
It is awarded
for desertion of the flag,
for bravery in the face of friends,
for the betrayal of unworthy secrets
and the disregard
of every command.
In The Storm Of Roses Poem by Ingeborg Bachmann
Wherever we turn in the storm of roses,
the night is lit up by thorns, and the thunder
of leaves, once so quiet within the bushes,
rumbling at our heels.
the night is lit up by thorns, and the thunder
of leaves, once so quiet within the bushes,
rumbling at our heels.
from Those Who Leave and Those Who Stay by Elena Ferrante
At 29 years old, encouraged by her sister-in-law, Lenù reads for the first time Carla Lonzi’s 1970 feminist pamphlet, Let’s Spit on Hegel:
Every sentence struck me, every word, and above all the bold freedom of thought. I forcefully underlined many of the sentences, I made exclamation points, vertical strokes. Spit on Hegel. Spit on the culture of men, spit on Marx, on Engels, on Lenin. And on historical materialism. And on Freud. And on psychoanalysis and penis envy. And on marriage, on family. And on Nazism, on Stalinism, on terrorism. And on war. And on the class struggle. And on the dictatorship of the proletariat. And on socialism. And on Communism. And on the trap of equality. And on all the manifestations of patriarchal culture. And on all its institutional forms. Resist the waste of female intelligence. . . . Restore women to themselves. . . . How is it possible, I wondered, that a woman knows how to think like that. I worked so hard on books, but I endured them, I never actually used them, I never turned them against themselves. This is thinking. This is thinking against. I — after so much exertion — don’t know how to think. . . . Lila, on the other hand, knows. It’s her nature. If she had studied, she would know how to think like this.
from Days of Abandonment by Elena Ferrante
I made an arrogant statement: these women are stupid. Cultured women, in comfortable circumstances, they broke like knick-knacks in the hands of their straying men. They seemed to me sentimental fools: I wanted to be different, I wanted to write stories about women with resources, women of invincible words, not a manual for the abandoned wife with her lost love at the top of her thoughts. I was young, I had pretensions. I didn’t like the impenetrable page, like a lowered blind. I liked light, air between the slats. I wanted to write stories full of breezes, of filtered rays where dust motes danced. And then I loved the writers who made you look through every line, to gaze downward and feel the vertigo of the depths, the blackness of inferno. I said it breathlessly, all in one gulp, which was something I never did, and my teacher smiled ironically, a little bitterly. She, too, must have lost someone, something. And now, more than twenty years later, the same thing was happening to me.
Saturday, 28 March 2015
streets of dreams
I have had a recurrent New York dream for the past 20 years. In it, I'm not there in flesh and blood: I'm more a bundle of perceptions and sensations. I'm inside the familiar dream bubble; all sound is magnified, as when your ear presses against the pillow. It's 4 A.M. between time zones. The pavement is damp, glowing yellow-pink from the street lamps. I'm in the weary, worn-down groaning part of town -- Crosby Street, Howard, Walker. The loading docks are waiting for the action to begin.
I'm definitely alone, but there's no urban anguish, no loneliness in my solitude. I am off the hook, luxuriously disembodied, hovering slyly above eye level. I'm out of reach. I swoop and skulk with impunity. The quiet is reverent. No event takes place.
Jeannie Hutchins, writer and performance artist, Carroll Gardens, Brooklyn
http://www.nytimes.com/1998/07/05/nyregion/streets-of-dreams-when-you-re-asleep-new-york-becomes-another-world.html?pagewanted=all&src=longreads
I'm definitely alone, but there's no urban anguish, no loneliness in my solitude. I am off the hook, luxuriously disembodied, hovering slyly above eye level. I'm out of reach. I swoop and skulk with impunity. The quiet is reverent. No event takes place.
Jeannie Hutchins, writer and performance artist, Carroll Gardens, Brooklyn
http://www.nytimes.com/1998/07/05/nyregion/streets-of-dreams-when-you-re-asleep-new-york-becomes-another-world.html?pagewanted=all&src=longreads
Monday, 23 March 2015
Mutability by Percy Shelley
We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!—yet soon
Night closes round, and they are lost forever:
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest.—A dream has power to poison sleep;
We rise.—One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
It is the same!—For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but mutability!
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!—yet soon
Night closes round, and they are lost forever:
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest.—A dream has power to poison sleep;
We rise.—One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
It is the same!—For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but mutability!
Sunday, 15 March 2015
Gravity's Rainbow
It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...secretly, it was being dictated instead by the needs of technology...by a conspiracy between human beings and techniques, by something that needed the energy-burst of war.
Get Drunk by Charles Baudelaire
Always be drunk.
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
Get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,
everything that groans
or rolls
or sings,
everything that speaks,
ask what time it is;
and the wind,
the wave,
the star,
the bird,
the clock
will answer you:
"Time to get drunk!
Don't be martyred slaves of Time,
Get drunk!
Stay drunk!
On wine, virtue, poetry, whatever!"
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
Get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,
everything that groans
or rolls
or sings,
everything that speaks,
ask what time it is;
and the wind,
the wave,
the star,
the bird,
the clock
will answer you:
"Time to get drunk!
Don't be martyred slaves of Time,
Get drunk!
Stay drunk!
On wine, virtue, poetry, whatever!"
The Moment by Margaret Atwood
The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,
is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.
No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.
Larksong by Douglas Dunn
A laverock in its house of air is singing
May morning, May morning, and its trills drift
High on the flatland's abstract hill
In the down-below of England.
I am the aerial photograph it takes of me
On a sonar landscape
And it notates my sorrow
In Holderness, where summer frost
Melts from the green like her departing ghost
May morning, May morning, and its trills drift
High on the flatland's abstract hill
In the down-below of England.
I am the aerial photograph it takes of me
On a sonar landscape
And it notates my sorrow
In Holderness, where summer frost
Melts from the green like her departing ghost
Anniversaries by Douglas Dunn
Day by nomadic day
Our anniversaries go by,
Dates anchored in an inner sky,
To utmost ground, interior clay.
It was September blue
When I walked with you first, my love,
In Roukenglen and Kelvingrove,
Inchinnan's beech-wood avenue.
That day will still exist
Long after I have joined you where
Rings radiate the dusty air
And bangles bind each powdered wrist.
Here comes that day again.
What shall I do? Instruct me, dear,
Longanimous encourager,
Sweet soul in the athletic rain
And wife now to the weather.
Our anniversaries go by,
Dates anchored in an inner sky,
To utmost ground, interior clay.
It was September blue
When I walked with you first, my love,
In Roukenglen and Kelvingrove,
Inchinnan's beech-wood avenue.
That day will still exist
Long after I have joined you where
Rings radiate the dusty air
And bangles bind each powdered wrist.
Here comes that day again.
What shall I do? Instruct me, dear,
Longanimous encourager,
Sweet soul in the athletic rain
And wife now to the weather.
Wednesday, 11 March 2015
How should we meditate?
Buddha replied, “Whatsoever you do, do it with awareness; this is meditation. Walking, walk attentively, as if walking is everything; eating, eat with awareness, as if eating is everything; rising, rise with awareness; sitting, sit with awareness. All your actions become conscious, your mind does not travel beyond this moment, it remains in the moment, settles in the moment – this is meditation.
Tuesday, 10 March 2015
Neruda
"I love you straightforwardly, without complexities or pride; so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep."
Monday, 9 March 2015
Friendship by Octavio Paz
It is the awaited hour
Over the table falls
Interminably
The lamp’s spread hair
Night turns the window to immensity
There is no one here
Presence without name surrounds me
Over the table falls
Interminably
The lamp’s spread hair
Night turns the window to immensity
There is no one here
Presence without name surrounds me
Thursday, 5 March 2015
portnoys complaint
He had learned the worst lesson that life can teach - that it makes no sense. And when that happens the happiness is never spontaneous again. It is artificial and, even then, bought at the price of an obstinate estrangement from oneself and one's history.
Tuesday, 3 March 2015
Loves Exquisite Freedom by Maya Angelou
We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.
Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.
We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.
Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.
We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.
Gratefulness by Dale Biron
Each day the engine of my gratefulness
must be coaxed and primed into action.
Of course like any old clunker,
it would just as soon stay put.
For even after the labored start beats the inertia,
and the plume of white smoke struggles upward,
the same hills always appear,
soaring daily—tall and ominous as before.
There is the long slow hill of “aging”
so gradual and smooth at first.
And then that steep grade called “the news.”
Yes, and always some mountain of a war
looming out there, never too far in the distance.
Even an old idea or a feeling long abandoned
might conspire to halt this fragile progress –
valves sputtering, tires flattening, clutch slipping.
But the old “potato, potato, potato” sound
of the engine, and all its mysterious fuel,
for which I am truly grateful
somehow
keeps stumbling along.
must be coaxed and primed into action.
Of course like any old clunker,
it would just as soon stay put.
For even after the labored start beats the inertia,
and the plume of white smoke struggles upward,
the same hills always appear,
soaring daily—tall and ominous as before.
There is the long slow hill of “aging”
so gradual and smooth at first.
And then that steep grade called “the news.”
Yes, and always some mountain of a war
looming out there, never too far in the distance.
Even an old idea or a feeling long abandoned
might conspire to halt this fragile progress –
valves sputtering, tires flattening, clutch slipping.
But the old “potato, potato, potato” sound
of the engine, and all its mysterious fuel,
for which I am truly grateful
somehow
keeps stumbling along.
Ah Ah by Joy Harjo
Ah, ah cries the crow arching toward the heavy sky over the marina.
Lands on the crown of the palm tree.
Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.
Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.
Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.
Ah, ah tatttoos the engines of your plane against the sky—away from these
waters.
Each paddle stroke follows the curve from reach to loss.
Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.
Lands on the crown of the palm tree.
Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.
Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.
Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.
Ah, ah tatttoos the engines of your plane against the sky—away from these
waters.
Each paddle stroke follows the curve from reach to loss.
Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.
Pray for Peace by Ellen Bass
Pray to whomever you kneel down to:
Jesus nailed to his wooden or plastic cross,
his suffering face bent to kiss you,
Buddha still under the bo tree in scorching heat,
Adonai, Allah. Raise your arms to Mary
that she may lay her palm on our brows,
to Shekhina, Queen of Heaven and Earth,
to Inanna in her stripped descent.
Then pray to the bus driver who takes you to work.
On the bus, pray for everyone riding that bus,
for everyone riding buses all over the world.
Drop some silver and pray.
Waiting in line for the movies, for the ATM,
for your latte and croissant, offer your plea.
Make your eating and drinking a supplication.
Make your slicing of carrots a holy act,
each translucent layer of the onion, a deeper prayer.
To Hawk or Wolf, or the Great Whale, pray.
Bow down to terriers and shepherds and Siamese cats.
Fields of artichokes and elegant strawberries.
Make the brushing of your hair
a prayer, every strand its own voice,
singing in the choir on your head.
As you wash your face, the water slipping
through your fingers, a prayer: Water,
softest thing on earth, gentleness
that wears away rock.
Making love, of course, is already prayer.
Skin, and open mouths worshipping that skin,
the fragile cases we are poured into.
If you’re hungry, pray. If you’re tired.
Pray to Gandhi and Dorothy Day.
Shakespeare. Sappho. Sojourner Truth.
When you walk to your car, to the mailbox,
to the video store, let each step
be a prayer that we all keep our legs,
that we do not blow off anyone else’s legs.
Or crush their skulls.
And if you are riding on a bicycle
or a skateboard, in a wheelchair, each revolution
of the wheels a prayer as the earth revolves:
less harm, less harm, less harm.
And as you work, typing with a new manicure,
a tiny palm tree painted on one pearlescent nail
or delivering soda or drawing good blood
into rubber-capped vials, writing on a blackboard
with yellow chalk, twirling pizzas—
With each breath in, take in the faith of those
who have believed when belief seemed foolish,
who persevered. With each breath out, cherish.
Pull weeds for peace, turn over in your sleep for peace,
feed the birds, each shiny seed
that spills onto the earth, another second of peace.
Wash your dishes, call your mother, drink wine.
Shovel leaves or snow or trash from your sidewalk.
Make a path. Fold a photo of a dead child
around your VISA card. Scoop your holy water
from the gutter. Gnaw your crust.
Mumble along like a crazy person, stumbling
your prayer through the streets.
Jesus nailed to his wooden or plastic cross,
his suffering face bent to kiss you,
Buddha still under the bo tree in scorching heat,
Adonai, Allah. Raise your arms to Mary
that she may lay her palm on our brows,
to Shekhina, Queen of Heaven and Earth,
to Inanna in her stripped descent.
Then pray to the bus driver who takes you to work.
On the bus, pray for everyone riding that bus,
for everyone riding buses all over the world.
Drop some silver and pray.
Waiting in line for the movies, for the ATM,
for your latte and croissant, offer your plea.
Make your eating and drinking a supplication.
Make your slicing of carrots a holy act,
each translucent layer of the onion, a deeper prayer.
To Hawk or Wolf, or the Great Whale, pray.
Bow down to terriers and shepherds and Siamese cats.
Fields of artichokes and elegant strawberries.
Make the brushing of your hair
a prayer, every strand its own voice,
singing in the choir on your head.
As you wash your face, the water slipping
through your fingers, a prayer: Water,
softest thing on earth, gentleness
that wears away rock.
Making love, of course, is already prayer.
Skin, and open mouths worshipping that skin,
the fragile cases we are poured into.
If you’re hungry, pray. If you’re tired.
Pray to Gandhi and Dorothy Day.
Shakespeare. Sappho. Sojourner Truth.
When you walk to your car, to the mailbox,
to the video store, let each step
be a prayer that we all keep our legs,
that we do not blow off anyone else’s legs.
Or crush their skulls.
And if you are riding on a bicycle
or a skateboard, in a wheelchair, each revolution
of the wheels a prayer as the earth revolves:
less harm, less harm, less harm.
And as you work, typing with a new manicure,
a tiny palm tree painted on one pearlescent nail
or delivering soda or drawing good blood
into rubber-capped vials, writing on a blackboard
with yellow chalk, twirling pizzas—
With each breath in, take in the faith of those
who have believed when belief seemed foolish,
who persevered. With each breath out, cherish.
Pull weeds for peace, turn over in your sleep for peace,
feed the birds, each shiny seed
that spills onto the earth, another second of peace.
Wash your dishes, call your mother, drink wine.
Shovel leaves or snow or trash from your sidewalk.
Make a path. Fold a photo of a dead child
around your VISA card. Scoop your holy water
from the gutter. Gnaw your crust.
Mumble along like a crazy person, stumbling
your prayer through the streets.
Eliminating the Horizon by Linda Nemec Foster
Who needs boundaries?
If your eyes fail to imagine
where the earth ends and the sky
begins, think of a place bereft
of lines: the blue depths of a stream
flowing like hair that will never
be combed. Deep indigo of nothing
but fluid memory ebbing around
blossoms of white asters. “I remember
how flowers feel when you barely
touch them,” says the water. Like leaving
one world and embracing another:
seeds bursting into wildflowers,
clouds changing into rain,
the image of our borders
a mere outline the soul ignores.
If your eyes fail to imagine
where the earth ends and the sky
begins, think of a place bereft
of lines: the blue depths of a stream
flowing like hair that will never
be combed. Deep indigo of nothing
but fluid memory ebbing around
blossoms of white asters. “I remember
how flowers feel when you barely
touch them,” says the water. Like leaving
one world and embracing another:
seeds bursting into wildflowers,
clouds changing into rain,
the image of our borders
a mere outline the soul ignores.
I Am Going to Start Living Like a Mystic by Edmund Hirsch
Today I am pulling on a green wool sweater
and walking across the park in a dusky snowfall.
The trees stand like twenty-seven prophets in a field,
each a station in a pilgrimage—silent, pondering.
Blue flakes of light falling across their bodies
are the ciphers of a secret, an occultation.
I will examine their leaves as pages in a text
and consider the bookish pigeons, students of winter.
I will kneel on the track of a vanquished squirrel
and stare into a blank pond for the figure of Sophia.
I shall begin scouring the sky for signs
as if my whole future were constellated upon it.
I will walk home alone with the deep alone,
a disciple of shadows, in praise of the mysteries.
and walking across the park in a dusky snowfall.
The trees stand like twenty-seven prophets in a field,
each a station in a pilgrimage—silent, pondering.
Blue flakes of light falling across their bodies
are the ciphers of a secret, an occultation.
I will examine their leaves as pages in a text
and consider the bookish pigeons, students of winter.
I will kneel on the track of a vanquished squirrel
and stare into a blank pond for the figure of Sophia.
I shall begin scouring the sky for signs
as if my whole future were constellated upon it.
I will walk home alone with the deep alone,
a disciple of shadows, in praise of the mysteries.
The Third Body by Robert Bly
A man and a woman sit near each other, and they do not long
at this moment to be older, or younger, nor born
in any other nation, or time, or place.
They are content to be where they are, talking or not talking.
Their breaths together feed someone whom we do not know.
The man sees the way his fingers move;
he sees her hands close around a book she hands to him.
They obey a third body that they share in common.
They have made a promise to love that body.
Age may come, parting may come, death will come.
A man and a woman sit near each other;
as they breathe they feed someone we do not know,
someone we know of, whom we have never seen.
at this moment to be older, or younger, nor born
in any other nation, or time, or place.
They are content to be where they are, talking or not talking.
Their breaths together feed someone whom we do not know.
The man sees the way his fingers move;
he sees her hands close around a book she hands to him.
They obey a third body that they share in common.
They have made a promise to love that body.
Age may come, parting may come, death will come.
A man and a woman sit near each other;
as they breathe they feed someone we do not know,
someone we know of, whom we have never seen.
Friday, 20 February 2015
I Tell You by Susan Glassmeyer
I could not predict the fullness
of the day. How it was enough
to stand alone without help
in the green yard at dawn.
How two geese would spin out
of the ochre sun opening my spine,
curling my head up to the sky
in an arc I took for granted.
And the lilac bush by the red
brick wall flooding the air
with its purple weight of beauty?
How it made my body swoon,
brought my arms to reach for it
without even thinking.
*
In class today a Dutch woman split
in two by a stroke—one branch
of her body a petrified silence—
walked leaning on her husband
to the treatment table while we
the unimpaired looked on with envy.
How he dignified her wobble,
beheld her deformation, untied her
shoe, removed the brace that stakes
her weaknesses. How he cradled
her down in his arms to the table
smoothing her hair as if they were
alone in their bed. I tell you—
his smile would have made you weep.
*
At twilight I visit my garden
where the peonies are about to burst.
Some days there will be more
flowers than the vase can hold.
of the day. How it was enough
to stand alone without help
in the green yard at dawn.
How two geese would spin out
of the ochre sun opening my spine,
curling my head up to the sky
in an arc I took for granted.
And the lilac bush by the red
brick wall flooding the air
with its purple weight of beauty?
How it made my body swoon,
brought my arms to reach for it
without even thinking.
*
In class today a Dutch woman split
in two by a stroke—one branch
of her body a petrified silence—
walked leaning on her husband
to the treatment table while we
the unimpaired looked on with envy.
How he dignified her wobble,
beheld her deformation, untied her
shoe, removed the brace that stakes
her weaknesses. How he cradled
her down in his arms to the table
smoothing her hair as if they were
alone in their bed. I tell you—
his smile would have made you weep.
*
At twilight I visit my garden
where the peonies are about to burst.
Some days there will be more
flowers than the vase can hold.
Today I Was So Happy, So I Made This Poem by James Wright
As the plump squirrel scampers
Across the roof of the corncrib,
The moon suddenly stands up in the darkness,
And I see that it is impossible to die.
Each moment of time is a mountain.
An eagle rejoices in the oak trees of heaven,
Crying
This is what I wanted.
Across the roof of the corncrib,
The moon suddenly stands up in the darkness,
And I see that it is impossible to die.
Each moment of time is a mountain.
An eagle rejoices in the oak trees of heaven,
Crying
This is what I wanted.
Breaking Through by Camille A. Balla
Driving to the next hurried errand
with a list swimming in my head,
I brake for the web-footed family—
not crossing the road,
but walking tall in a single straight line
headed in the opposite direction—
five dark gray long-necked profiles
observing the slow lane,
cars behind them crawling.
I hear myself exclaim delight
at this sweet, slow-moving sight.
A sunny sermon
quietly breaks through—
not citing lilies of the field
or birds of the air
but a family of geese—
right here on the blacktop.
with a list swimming in my head,
I brake for the web-footed family—
not crossing the road,
but walking tall in a single straight line
headed in the opposite direction—
five dark gray long-necked profiles
observing the slow lane,
cars behind them crawling.
I hear myself exclaim delight
at this sweet, slow-moving sight.
A sunny sermon
quietly breaks through—
not citing lilies of the field
or birds of the air
but a family of geese—
right here on the blacktop.
Ten Thousand Flowers in Spring by Wu Men
Ten thousand flowers in spring, the moon in autumn,
a cool breeze in summer, snow in winter.
If your mind isn’t clouded by unnecessary things,
this is the best season of your life.
a cool breeze in summer, snow in winter.
If your mind isn’t clouded by unnecessary things,
this is the best season of your life.
we’re building the ship as we sail it by kay ryan
The first fear
being drowning, the
ship’s first shape
was a raft, which
was hard to unflatten
after that didn’t
happen. It’s awkward
to have to do one’s
planning in extremis
in the early years—
so hard to hide later:
sleekening the hull,
making things
more gracious.
being drowning, the
ship’s first shape
was a raft, which
was hard to unflatten
after that didn’t
happen. It’s awkward
to have to do one’s
planning in extremis
in the early years—
so hard to hide later:
sleekening the hull,
making things
more gracious.
a conceit by maya angelou
Give me your hand
Make room for me
to lead and follow
you
beyond this rage of poetry.
Let others have
the privacy of
touching words
and love of loss
of love.
For me
Give me your hand.
Make room for me
to lead and follow
you
beyond this rage of poetry.
Let others have
the privacy of
touching words
and love of loss
of love.
For me
Give me your hand.
snowfall by mark strand
Watching snow cover the ground, cover itself,
cover everything that is not you, you see
it is the downward drift of light
upon the sound of air sweeping away the air,
it is the fall of moments into moments, the burial
of sleep, the down of winter, the negative of night.
cover everything that is not you, you see
it is the downward drift of light
upon the sound of air sweeping away the air,
it is the fall of moments into moments, the burial
of sleep, the down of winter, the negative of night.
the dipper by kathleen jamie
It was winter, near freezing,
I’d walked through a forest of firs
when I saw issue out of the waterfall
a solitary bird.
It lit on a damp rock,
and, as water swept stupidly on,
wrung from its own throat
supple, undammable song.
It isn’t mine to give.
I can’t coax this bird to my hand
that knows the depth of the river
yet sings of it on land.
I’d walked through a forest of firs
when I saw issue out of the waterfall
a solitary bird.
It lit on a damp rock,
and, as water swept stupidly on,
wrung from its own throat
supple, undammable song.
It isn’t mine to give.
I can’t coax this bird to my hand
that knows the depth of the river
yet sings of it on land.
infinite number of half-distances by mira gonzalez
you lay on the floor of your room
you bite your fingers until they bleed
you feel something motionless at the base of your head
in the morning you can’t feel your arms
nothing to write about, not really
you take drugs alone
and stumble around your house
uncreated, unloved
you think think they want you, sometimes
they tell you that your body is proportioned well
they think you will make them better, somehow
you can feel anything for a few minutes
you identify with people who criticize you
nothing leads to improvement
at night you think about loving things only a little bit
in the morning, you read about global warming
or the economic collapse
the edges of things seem abruptly hard to define
you park your car under a tree in the dark
become startled and drive somewhere else
you bite your fingers until they bleed
you feel something motionless at the base of your head
in the morning you can’t feel your arms
nothing to write about, not really
you take drugs alone
and stumble around your house
uncreated, unloved
you think think they want you, sometimes
they tell you that your body is proportioned well
they think you will make them better, somehow
you can feel anything for a few minutes
you identify with people who criticize you
nothing leads to improvement
at night you think about loving things only a little bit
in the morning, you read about global warming
or the economic collapse
the edges of things seem abruptly hard to define
you park your car under a tree in the dark
become startled and drive somewhere else
Thursday, 19 February 2015
For Jessica, my Daughter by Mark Strand
Tonight I walked,
lost in my own meditation,
and was afraid,
not of the labyrinth
that I have made of love and self
but of the dark and faraway.
I walked, hearing the wind in the trees,
feeling the cold against my skin,
but what I dwelled on
were the stars blazing
in the immense arc of sky.
Jessica, it is so much easier
to think of our lives,
as we move under the brief luster of leaves,
loving what we have,
than to think of how it is
such small beings as we
travel in the dark
with no visible way
or end in sight.
Yet there were times I remember
under the same sky
when the body's bones became light
and the wound of the skull
opened to receive
the cold rays of the cosmos,
and were, for an instant,
themselves the cosmos,
there were times when I could believe
we were the children of stars
and our words were made of the same
dust that flames in space,
times when I could feel in the lightness of breath
the weight of a whole day
come to rest.
But tonight
it is different.
Afraid of the dark
in which we drift or vanish altogether,
I imagine a light
that would not let us stray too far apart,
a secret moon or mirror,
a sheet of paper,
something you could carry
in the dark
when I am away.
lost in my own meditation,
and was afraid,
not of the labyrinth
that I have made of love and self
but of the dark and faraway.
I walked, hearing the wind in the trees,
feeling the cold against my skin,
but what I dwelled on
were the stars blazing
in the immense arc of sky.
Jessica, it is so much easier
to think of our lives,
as we move under the brief luster of leaves,
loving what we have,
than to think of how it is
such small beings as we
travel in the dark
with no visible way
or end in sight.
Yet there were times I remember
under the same sky
when the body's bones became light
and the wound of the skull
opened to receive
the cold rays of the cosmos,
and were, for an instant,
themselves the cosmos,
there were times when I could believe
we were the children of stars
and our words were made of the same
dust that flames in space,
times when I could feel in the lightness of breath
the weight of a whole day
come to rest.
But tonight
it is different.
Afraid of the dark
in which we drift or vanish altogether,
I imagine a light
that would not let us stray too far apart,
a secret moon or mirror,
a sheet of paper,
something you could carry
in the dark
when I am away.
Walking in Mountains in the Rain by Wang Wei
In this quick cloudburst
air thickens, the sky comes down
dark mountains
flashes of lightning
out at sea new clouds
have just started to form
and this small brook I straddle
is a river in flood somewhere
rags and blankets of mist
hang on these slopes and cliffs
then the clouds open and vanish
rain patters off
and moonlight silvers
that whole reach of river
foothills to ocean
and even from this black mountain
I can hear boatmen singing.
air thickens, the sky comes down
dark mountains
flashes of lightning
out at sea new clouds
have just started to form
and this small brook I straddle
is a river in flood somewhere
rags and blankets of mist
hang on these slopes and cliffs
then the clouds open and vanish
rain patters off
and moonlight silvers
that whole reach of river
foothills to ocean
and even from this black mountain
I can hear boatmen singing.
To Say Nothing but Thank You by Jeanne Lohmann
All day I try to say nothing but thank you,
breathe the syllables in and out with every step I
take through the rooms of my house and outside into
a profusion of shaggy-headed dandelions in the garden
where the tulips’ black stamens shake in their crimson cups.
I am saying thank you, yes, to this burgeoning spring
and to the cold wind of its changes. Gratitude comes easy
after a hot shower, when my loosened muscles work,
when eyes and mind begin to clear and even unruly
hair combs into place.
Dialogue with the invisible can go on every minute,
and with surprising gaiety I am saying thank you as I
remember who I am, a woman learning to praise
something as small as dandelion petals floating on the
steaming surface of this bowl of vegetable soup,
my happy, savoring tongue.
breathe the syllables in and out with every step I
take through the rooms of my house and outside into
a profusion of shaggy-headed dandelions in the garden
where the tulips’ black stamens shake in their crimson cups.
I am saying thank you, yes, to this burgeoning spring
and to the cold wind of its changes. Gratitude comes easy
after a hot shower, when my loosened muscles work,
when eyes and mind begin to clear and even unruly
hair combs into place.
Dialogue with the invisible can go on every minute,
and with surprising gaiety I am saying thank you as I
remember who I am, a woman learning to praise
something as small as dandelion petals floating on the
steaming surface of this bowl of vegetable soup,
my happy, savoring tongue.
Eyes-Shut Facing Eyes-Rolling-Around" [excerpt] by Rumi
Pay close attention to your mean thoughts.
That sourness may be a blessing,
as an overcast day brings rain for the roses
and relief to dry soil.
Don't look so sourly on your sourness!
It may be it's carrying what you most deeply need
and want. What seems to be keeping you from joy
may be what leads you to joy.
Don't call it a dead branch.
Call it the live, moist root.
Don't always be waiting to see
what's behind it. That wait and see
poisons your Spirit.
Reach for it.
Hold your meanness to your chest
as a healing root,
and be through with waiting.
That sourness may be a blessing,
as an overcast day brings rain for the roses
and relief to dry soil.
Don't look so sourly on your sourness!
It may be it's carrying what you most deeply need
and want. What seems to be keeping you from joy
may be what leads you to joy.
Don't call it a dead branch.
Call it the live, moist root.
Don't always be waiting to see
what's behind it. That wait and see
poisons your Spirit.
Reach for it.
Hold your meanness to your chest
as a healing root,
and be through with waiting.
Tuesday, 3 February 2015
Friday, 2 January 2015
A Wave on Our Window by Wang Changling
Lying on a high seat in the south study,
We have lifted the curtain—and we see the rising moon
Brighten with pure light the water and the grove
And flow like a wave on our window and our door.
It will move through the cycle, full moon and then crescent again,
Calmly, beyond our wisdom, altering new to old.
… Our chosen one, our friend, is now by a limpid river—
Singing, perhaps, a plaintive eastern song.
He is far, far away from us, three hundred miles away.
And yet a breath of orchids comes along the wind.
http://www.paulboccaccio.com/blog/2012/09/15/a-wave-on-our-window/
We have lifted the curtain—and we see the rising moon
Brighten with pure light the water and the grove
And flow like a wave on our window and our door.
It will move through the cycle, full moon and then crescent again,
Calmly, beyond our wisdom, altering new to old.
… Our chosen one, our friend, is now by a limpid river—
Singing, perhaps, a plaintive eastern song.
He is far, far away from us, three hundred miles away.
And yet a breath of orchids comes along the wind.
http://www.paulboccaccio.com/blog/2012/09/15/a-wave-on-our-window/
Wednesday, 31 December 2014
Te Deum by Charles Reznikoff
Not because of victories I sing, having none, but for the common sunshine, the breeze, the largess of the spring. Not for victory but for the day’s work done as well as I was able; not for a seat upon the dais but at the common table.
The Old Year by John Clare
The Old Year’s gone away To nothingness and night: We cannot find him all the day Nor hear him in the night: He left no footstep, mark or place In either shade or sun: The last year he’d a neighbour’s face, In this he’s known by none. All nothing everywhere: Mists we on mornings see Have more of substance when they’re here And more of form than he. He was a friend by every fire, In every cot and hall-- A guest to every heart’s desire, And now he’s nought at all. Old papers thrown away, Old garments cast aside, The talk of yesterday, Are things identified; But time once torn away No voices can recall: The eve of New Year’s Day Left the Old Year lost to all.
On a New Year's Eve by June Jordan
Infinity doesn't interest me not altogether anymore I crawl and kneel and grub about I beg and listen for what can go away (as easily as love) or perish like the children running hard on oneway streets/infinity doesn't interest me not anymore not even repetition your/my/eye- lid or the colorings of sunrise or all the sky excitement added up is not enough to satisfy this lusting admiration that I feel for your brown arm before it moves MOVES CHANGES UP the temporary sacred tales ago first bikeride round the house when you first saw a squat opossum carry babies on her back opossum up in the persimmon tree you reeling toward that natural first absurdity with so much wonder still it shakes your voice the temporary is the sacred takes me out and even the stars and even the snow and even the rain do not amount to much unless these things submit to some disturbance some derangement such as when I yield myself/belonging to your unmistaken body and let the powerful lock up the canyon/mountain peaks the hidden rivers/waterfalls the deepdown minerals/the coalfields/goldfields diamond mines close by the whoring ore hot at the center of the earth spinning fast as numbers I cannot imagine let the world blot obliterate remove so- called magnificence so-called almighty/fathomless and everlasting treasures/ wealth (whatever that may be) it is this time that matters it is this history I care about the one we make together awkward inconsistent as a lame cat on the loose or quick as kids freed by the bell or else as strictly once as only life must mean a once upon a time I have rejected propaganda teaching me about the beautiful the truly rare (supposedly the soft push of the ocean at the hushpoint of the shore supposedly the soft push of the ocean at the hushpoint of the shore is beautiful for instance) but the truly rare can stay out there I have rejected that abstraction that enormity unless I see a dog walk on the beach/ a bird seize sandflies or yourself approach me laughing out a sound to spoil the pretty picture make an uncontrolled heartbeating memory instead I read the papers preaching on that oil and oxygen that redwoods and the evergreens that trees the waters and the atmosphere compile a final listing of the world in short supply but all alive and all the lives persist perpetual in jeopardy persist as scarce as every one of us as difficult to find or keep as irreplaceable as frail as every one of us and as I watch your arm/your brown arm just before it moves I know all things are dear that disappear all things are dear that disappear
http://wonderingminstrels.blogspot.co.uk/2002/10/on-new-year-eve-june-jordan.html
Sunday, 14 December 2014
An Autumn Reverie by Ella Wheeler Wilcox
Through all the weary, hot midsummer time,
My heart has struggled with its awful grief.
And I have waited for these autumn days,
Thinking the cooling winds would bring relief.
For I remembered how I loved them once,
When all my life was full of melody.
And I have looked and longed for their return,
Nor thought but they would seem the same, to me.
My heart has struggled with its awful grief.
And I have waited for these autumn days,
Thinking the cooling winds would bring relief.
For I remembered how I loved them once,
When all my life was full of melody.
And I have looked and longed for their return,
Nor thought but they would seem the same, to me.
The fiery summer burned itself away,
And from the hills, the golden autumn time
Looks down and smiles. The fields are tinged with brown—
The birds are talking of another clime.
The forest trees are dyed in gorgeous hues,
And weary ones have sought an earthy tomb.
But still the pain tugs fiercely at my heart—
And still my life is wrapped in awful gloom.
And from the hills, the golden autumn time
Looks down and smiles. The fields are tinged with brown—
The birds are talking of another clime.
The forest trees are dyed in gorgeous hues,
And weary ones have sought an earthy tomb.
But still the pain tugs fiercely at my heart—
And still my life is wrapped in awful gloom.
The winds I thought would cool my fevered brow,
Are bleak, and dreary; and they bear no balm.
The sounds I thought would soothe my throbbing brain,
Are grating discords; and they can not calm
This inward tempest. Still it rages on.
My soul is tost upon a troubled sea,
I find no pleasure in the olden joys—
The autumn is not as it used to be.
Are bleak, and dreary; and they bear no balm.
The sounds I thought would soothe my throbbing brain,
Are grating discords; and they can not calm
This inward tempest. Still it rages on.
My soul is tost upon a troubled sea,
I find no pleasure in the olden joys—
The autumn is not as it used to be.
I hear the children shouting at their play!
Their hearts are happy, and they know not pain.
To them the day brings sunlight, and no shade.
And yet I would not be a child again.
For surely as the night succeeds the day,
So surely will their mirth turn into tears.
And I would not return to happy hours,
If I must live again these weary years.
Their hearts are happy, and they know not pain.
To them the day brings sunlight, and no shade.
And yet I would not be a child again.
For surely as the night succeeds the day,
So surely will their mirth turn into tears.
And I would not return to happy hours,
If I must live again these weary years.
I would walk on, and leave it all behind:
will walk on; and when my feet grow sore,
The boatman waits—his sails are all unfurled—
He waits to row me to a fairer shore.
My tired limbs shall rest on beds of down,
My tears shall all be wiped by Jesus’ hand;
My soul shall know the peace it long hath sought --
A peace too wonderful to understand.
will walk on; and when my feet grow sore,
The boatman waits—his sails are all unfurled—
He waits to row me to a fairer shore.
My tired limbs shall rest on beds of down,
My tears shall all be wiped by Jesus’ hand;
My soul shall know the peace it long hath sought --
A peace too wonderful to understand.
There Is Absolutely Nothing Lonelier by Matthew Rohrer
There is absolutely nothing lonelier
than the little Mars rover
never shutting down, digging up
rocks, so far away from Bond street
in a light rain. I wonder
if he makes little beeps? If so
he is lonelier still. He fires a laser
into the dust. He coughs. A shiny
thing in the sand turns out to be his.
than the little Mars rover
never shutting down, digging up
rocks, so far away from Bond street
in a light rain. I wonder
if he makes little beeps? If so
he is lonelier still. He fires a laser
into the dust. He coughs. A shiny
thing in the sand turns out to be his.
November by Helen Hunt Jackson
This is the treacherous month when autumn days
With summer’s voice come bearing summer’s gifts.
Beguiled, the pale down-trodden aster lifts
Her head and blooms again. The soft, warm haze
Makes moist once more the sere and dusty ways,
And, creeping through where dead leaves lie in drifts,
The violet returns. Snow noiseless sifts
Ere night, an icy shroud, which morning’s rays
Will idly shine upon and slowly melt,
Too late to bid the violet live again.
The treachery, at last, too late, is plain;
Bare are the places where the sweet flowers dwelt.
What joy sufficient hath November felt?
What profit from the violet’s day of pain?
With summer’s voice come bearing summer’s gifts.
Beguiled, the pale down-trodden aster lifts
Her head and blooms again. The soft, warm haze
Makes moist once more the sere and dusty ways,
And, creeping through where dead leaves lie in drifts,
The violet returns. Snow noiseless sifts
Ere night, an icy shroud, which morning’s rays
Will idly shine upon and slowly melt,
Too late to bid the violet live again.
The treachery, at last, too late, is plain;
Bare are the places where the sweet flowers dwelt.
What joy sufficient hath November felt?
What profit from the violet’s day of pain?
Sunday, 16 November 2014
The Last Graveyard by Xu Lizhi
Even the machine is nodding off
Sealed workshops store diseased iron
Wages concealed behind curtains
Like the love that young workers bury at the bottom of their hearts
With no time for expression, emotion crumbles into dust
They have stomachs forged of iron
Full of thick acid, sulfuric and nitric
Industry captures their tears before they have the chance to fall
Time flows by, their heads lost in fog
Output weighs down their age, pain works overtime day and night
In their lives, dizziness before their time is latent
The jig forces the skin to peel
And while it's at it, plates on a layer of aluminum alloy
Some still endure, while others are taken by illness
I am dozing between them, guarding
The last graveyard of our youth.
Sealed workshops store diseased iron
Wages concealed behind curtains
Like the love that young workers bury at the bottom of their hearts
With no time for expression, emotion crumbles into dust
They have stomachs forged of iron
Full of thick acid, sulfuric and nitric
Industry captures their tears before they have the chance to fall
Time flows by, their heads lost in fog
Output weighs down their age, pain works overtime day and night
In their lives, dizziness before their time is latent
The jig forces the skin to peel
And while it's at it, plates on a layer of aluminum alloy
Some still endure, while others are taken by illness
I am dozing between them, guarding
The last graveyard of our youth.
I Fall Asleep, Just Standing Like That by Xu Lizhi
The paper before my eyes fades yellow
With a steel pen I chisel on it uneven black
Full of working words
Workshop, assembly line, machine, work card, overtime, wages...
They've trained me to become docile
Don't know how to shout or rebel
How to complain or denounce
Only how to silently suffer exhaustion
When I first set foot in this place
I hoped only for that grey pay slip on the tenth of each month
To grant me some belated solace
For this I had to grind away my corners, grind away my words
Refuse to skip work, refuse sick leave, refuse leave for private reasons
Refuse to be late, refuse to leave early
By the assembly line I stood straight like iron, hands like flight,
How many days, how many nights
Did I - just like that - standing fall asleep?
With a steel pen I chisel on it uneven black
Full of working words
Workshop, assembly line, machine, work card, overtime, wages...
They've trained me to become docile
Don't know how to shout or rebel
How to complain or denounce
Only how to silently suffer exhaustion
When I first set foot in this place
I hoped only for that grey pay slip on the tenth of each month
To grant me some belated solace
For this I had to grind away my corners, grind away my words
Refuse to skip work, refuse sick leave, refuse leave for private reasons
Refuse to be late, refuse to leave early
By the assembly line I stood straight like iron, hands like flight,
How many days, how many nights
Did I - just like that - standing fall asleep?
I Swallowed a Moon Made of Iron by Xu Lizhi
I swallowed a moon made of iron
They refer to it as a nail
I swallowed this industrial sewage, these unemployment documents
Youth stooped at machines die before their time
I swallowed the hustle and the destitution
Swallowed pedestrian bridges, life covered in rust
I can't swallow any more
All that I've swallowed is now gushing out of my throat
Unfurling on the land of my ancestors
Into a disgraceful poem.
They refer to it as a nail
I swallowed this industrial sewage, these unemployment documents
Youth stooped at machines die before their time
I swallowed the hustle and the destitution
Swallowed pedestrian bridges, life covered in rust
I can't swallow any more
All that I've swallowed is now gushing out of my throat
Unfurling on the land of my ancestors
Into a disgraceful poem.
Thursday, 30 October 2014
musons verse
The spring flowers, the autumn moon;
Summer breezes, winter snow.
If useless things do not clutter your mind,
You have the best days of your life.
Summer breezes, winter snow.
If useless things do not clutter your mind,
You have the best days of your life.
Thomas Pynchon
“We have to look for power sources here, and distribution networks we were never taught, routes of power our teachers never imagined, or were encouraged to avoid … we have to find meters whose scales are unknown in the world, draw our own schematics, getting feedback, making connections, reducing the error, trying to learn the real function … zeroing in on what incalculable plot?”
Wednesday, 29 October 2014
anais nin
“Each friend represents a world in us, a world not possibly born until they arrive, and it is only by this meeting that a new world is born.”
Sunday, 26 October 2014
Kenneth Patchen
You have used a word
Which means nothing.
You have given a word
The power to send men to death.
Men are not free who are sent to die.
Only those who send them are ‘free.’
You should have freedom stuffed down your fat throats.
Which means nothing.
You have given a word
The power to send men to death.
Men are not free who are sent to die.
Only those who send them are ‘free.’
You should have freedom stuffed down your fat throats.
Sunday, 19 October 2014
Canada Geese by Robert Davidson
Out of the haar, in flight,
in formation, in position, each eye
on the white rump in front, each aware
of the white bar on a face away to the side.
Direct, speedy – the flock is two waving lines
passing between mountains, over salt water,
following the coast, a creamy shoreline
broadening on to marshes, tidal islands
until – ahead and below – something familiar,
another flock resting on a sand bar.
Down they go.
Down, level with the hills.
Down, level with the road.
Down, level with the shore.
Skimming over water the lead bird
working hardest, the wind from his wings lifting
the following bird, then the next until
they are all floating on air broken by the birds in front.
They lift to cross an island. Come down again
on the other side. Up ahead, white-barred heads
turn on long necks. Take care! Take care!
crying from the bar, and from the air the flight
calls back, We’re here! We’re here! The sky
between sand bar and flight filled with voice.
Take care! We’re here! Take care! We’re here!
Spreading their wings, turning them downwards,
they stretch out webbed feet. Everthing now,
every part of them, is catching the air,
slowing them, dropping them.
Take care! Take care!
In they come as though they must scatter
the geese on the sand like marbles, but now
their dropped wings lift them and bring them
down again, slower now, one after the other,
feet planing across the water, all together
hhhiiiiiiiisssssssshhhhhhhhhhh!!!
to sit down on it, glide along the surface and paddle out
onto the sand, to become a feathery conference
of webs, wings, necks and beaks, all crying together.
We’re here! We’re here!
in formation, in position, each eye
on the white rump in front, each aware
of the white bar on a face away to the side.
Direct, speedy – the flock is two waving lines
passing between mountains, over salt water,
following the coast, a creamy shoreline
broadening on to marshes, tidal islands
until – ahead and below – something familiar,
another flock resting on a sand bar.
Down they go.
Down, level with the hills.
Down, level with the road.
Down, level with the shore.
Skimming over water the lead bird
working hardest, the wind from his wings lifting
the following bird, then the next until
they are all floating on air broken by the birds in front.
They lift to cross an island. Come down again
on the other side. Up ahead, white-barred heads
turn on long necks. Take care! Take care!
crying from the bar, and from the air the flight
calls back, We’re here! We’re here! The sky
between sand bar and flight filled with voice.
Take care! We’re here! Take care! We’re here!
Spreading their wings, turning them downwards,
they stretch out webbed feet. Everthing now,
every part of them, is catching the air,
slowing them, dropping them.
Take care! Take care!
In they come as though they must scatter
the geese on the sand like marbles, but now
their dropped wings lift them and bring them
down again, slower now, one after the other,
feet planing across the water, all together
hhhiiiiiiiisssssssshhhhhhhhhhh!!!
to sit down on it, glide along the surface and paddle out
onto the sand, to become a feathery conference
of webs, wings, necks and beaks, all crying together.
We’re here! We’re here!
The Geese by Richard Peck
My father was the first to hear
The passage of the geese each fall,
Passing above the house so near,
He’d hear within his heart their call.
And then at breakfast time he'd say:
"The geese were heading south last night,"
For he had lain awake till day,
Feeling his earthbound soul take flight.
Knowing that winter's wind comes soon
After the rushing of those wings,
Seeing them pass before the moon,
Recalling the lure of far-off things.
The passage of the geese each fall,
Passing above the house so near,
He’d hear within his heart their call.
And then at breakfast time he'd say:
"The geese were heading south last night,"
For he had lain awake till day,
Feeling his earthbound soul take flight.
Knowing that winter's wind comes soon
After the rushing of those wings,
Seeing them pass before the moon,
Recalling the lure of far-off things.
Wednesday, 8 October 2014
A Colour of the Sky by Tony Hoagland
Windy today and I feel less than brilliant,
driving over the hills from work.
There are the dark parts on the road
when you pass through clumps of wood
and the bright spots where you have a view of the ocean,
but that doesn’t make the road an allegory.
I should call Marie and apologize
for being so boring at dinner last night,
but can I really promise not to be that way again?
And anyway, I’d rather watch the trees, tossing
in what certainly looks like sexual arousal.
Otherwise it’s spring, and everything looks frail;
the sky is baby blue, and the just-unfurling leaves
are full of infant chlorophyll,
the very tint of inexperience.
Last summer’s song is making a comeback on the radio,
and on the highway overpass,
the only metaphysical vandal in America has written
MEMORY LOVES TIME
in big black spraypaint letters,
which makes us wonder if Time loves Memory back.
Last night I dreamed of X again.
She’s like a stain on my subconscious sheets.
Years ago she penetrated me
but though I scrubbed and scrubbed and scrubbed,
I never got her out,
but now I’m glad.
What I thought was an end turned out to be a middle.
What I thought was a brick wall turned out to be a tunnel.
What I thought was an injustice
turned out to be a color of the sky.
Outside the youth center, between the liquor store
and the police station,
a little dogwood tree is losing its mind;
overflowing with blossomfoam,
like a sudsy mug of beer;
like a bride ripping off her clothes,
dropping snow white petals to the ground in clouds,
so Nature’s wastefulness seems quietly obscene.
It’s been doing that all week:
making beauty,
and throwing it away,
and making more.
Monday, 6 October 2014
Viewing Peach Blossoms and Realizing the Way by Dogen
In spring wind
peach blossoms
begin to come apart.
Doubts do not grow
branches and leaves.
peach blossoms
begin to come apart.
Doubts do not grow
branches and leaves.
You Do Not Need Many Things by Ryokan
My house is buried in the deepest recess of the forest
Every year, ivy vines grow longer than the year before.
Undisturbed by the affairs of the world I live at ease,
Woodmen’s singing rarely reaching me through the trees.
While the sun stays in the sky, I mend my torn clothes
And facing the moon, I read holy texts aloud to myself.
Let me drop a word of advice for believers of my faith.
To enjoy life’s immensity, you do not need many things.
Every year, ivy vines grow longer than the year before.
Undisturbed by the affairs of the world I live at ease,
Woodmen’s singing rarely reaching me through the trees.
While the sun stays in the sky, I mend my torn clothes
And facing the moon, I read holy texts aloud to myself.
Let me drop a word of advice for believers of my faith.
To enjoy life’s immensity, you do not need many things.
Love Poems Between Ryokan and Teishin
Was it really you
I saw
Or is this joy
I still feel
only a dream?
--Teishin
In this dream world
We doze
And talk of dreams --
Dream, dream on,
As much as you wish
--Ryokan
Here with you
I could remain
For countless days and years
Silent as the bright moon
We watched together
--Teishin
have you forgotten me
Or lost the path here?
I wait for you
All day, every day
But you do not appear
--Ryokan
The moon, I'm sure
Is shining brightly
High above the mountains
But gloomy clouds
Shroud the peak in darkness
--Teishin
You must rise above
The gloomy clouds
Covering the mountaintop
Otherwise, how will you
Ever see the brightness?
--Ryokan
I saw
Or is this joy
I still feel
only a dream?
--Teishin
In this dream world
We doze
And talk of dreams --
Dream, dream on,
As much as you wish
--Ryokan
Here with you
I could remain
For countless days and years
Silent as the bright moon
We watched together
--Teishin
have you forgotten me
Or lost the path here?
I wait for you
All day, every day
But you do not appear
--Ryokan
The moon, I'm sure
Is shining brightly
High above the mountains
But gloomy clouds
Shroud the peak in darkness
--Teishin
You must rise above
The gloomy clouds
Covering the mountaintop
Otherwise, how will you
Ever see the brightness?
--Ryokan
Zen of Housework by Al Zolynas
I look over my own shoulder
down my arms
to where they disappear under water
into hands inside pink rubber gloves
moiling among dinner dishes.
My hands lift a wine glass,
holding it by the stem and under the bowl.
It breaks the surface
like a chalice
rising from a medieval lake.
Full of the grey wine
of domesticity, the glass floats
to the level of my eyes.
Behind it, through the window
above the sink, the sun, among
a ceremony of sparrows and bare branches,
is setting in Western America.
I can see thousands of droplets
of steam—each a tiny spectrum—rising
from my goblet of grey wine.
They sway, changing directions
constantly—like a school of playful fish,
or like the sheer curtain
on the window to another world.
Ah, grey sacrament of the mundane!
down my arms
to where they disappear under water
into hands inside pink rubber gloves
moiling among dinner dishes.
My hands lift a wine glass,
holding it by the stem and under the bowl.
It breaks the surface
like a chalice
rising from a medieval lake.
Full of the grey wine
of domesticity, the glass floats
to the level of my eyes.
Behind it, through the window
above the sink, the sun, among
a ceremony of sparrows and bare branches,
is setting in Western America.
I can see thousands of droplets
of steam—each a tiny spectrum—rising
from my goblet of grey wine.
They sway, changing directions
constantly—like a school of playful fish,
or like the sheer curtain
on the window to another world.
Ah, grey sacrament of the mundane!
Wheat by Ishihara Yoshiro
Let a stalk of wheat
be your witness
to every difficult day.
Since it was a flame
before it was a plant,
since it was courage
before it was grain,
since it was determination
before it was growth,
and, above all, since it was prayer
before it was fruition,
it has nothing to point to
but the sky.
Remember the incredibly gentle wheat stalk
which holds its countless arrows fixed
to shoot from the bowstring—
you, standing in the same position
where the wind holds it.
be your witness
to every difficult day.
Since it was a flame
before it was a plant,
since it was courage
before it was grain,
since it was determination
before it was growth,
and, above all, since it was prayer
before it was fruition,
it has nothing to point to
but the sky.
Remember the incredibly gentle wheat stalk
which holds its countless arrows fixed
to shoot from the bowstring—
you, standing in the same position
where the wind holds it.
Winter of Listening by David Whyte
No one but me by the fire,
my hands burning
red in the palms while
the night wind carries
everything away outside.
All this petty worry
while the great cloak
of the sky grows dark
and intense
round every living thing.
What is precious
inside us does not
care to be known
by the mind
in ways that diminish
its presence.
What we strive for
in perfection
is not what turns us
into the lit angel
we desire,
what disturbs
and then nourishes
has everything
we need.
What we hate
in ourselves
is what we cannot know
in ourselves but
what is true to the pattern
does not need
to be explained.
Inside everyone
is a great shout of joy
waiting to be born.
Even with the summer
so far off
I feel it grown in me
now and ready
to arrive in the world.
All those years
listening to those
who had
nothing to say.
All those years
forgetting
how everything
has its own voice
to make
itself heard.
All those years
forgetting
how easily
you can belong
to everything
simply by listening.
And the slow
difficulty
of remembering
how everything
is born from
an opposite
and miraculous
otherness.
Silence and winter
has led me to that
otherness.
So let this winter
of listening
be enough
for the new life
I must call my own.
Perhaps... by Ting Shu
For the loneliness of the author
Perhaps these thoughts of ours
will never find an audience
Perhaps the mistaken road
will end in a mistake
Perhaps the lamps we light one at a time
will be blown out, one at a time
Perhaps the candles of our lives will gutter out
without lighting a fire to warm us
Perhaps when all the tears have been shed
the earth will be more fertile
Perhaps when we sing praises to the sun
the sun will praise us in return
Perhaps these heavy burdens
will strengthen our philosophy
Perhaps when we weep for those in misery
we must be silent about miseries of our own
Perhaps
Because of our irresistible mission
We have no choice
Perhaps these thoughts of ours
will never find an audience
Perhaps the mistaken road
will end in a mistake
Perhaps the lamps we light one at a time
will be blown out, one at a time
Perhaps the candles of our lives will gutter out
without lighting a fire to warm us
Perhaps when all the tears have been shed
the earth will be more fertile
Perhaps when we sing praises to the sun
the sun will praise us in return
Perhaps these heavy burdens
will strengthen our philosophy
Perhaps when we weep for those in misery
we must be silent about miseries of our own
Perhaps
Because of our irresistible mission
We have no choice
What Have I Learned by Gary Snyder
What have I learned but
the proper use for several tools?
The moments
between hard pleasant tasks
To sit silent, drink wine,
and think my own kind
of dry crusty thoughts.
—the first Calochortus flowers
and in all the land,
it's spring.
I point them out:
the yellow petals, the golden hairs,
to Gen.
Seeing in silence:
never the same twice,
but when you get it right,
you pass it on.
the proper use for several tools?
The moments
between hard pleasant tasks
To sit silent, drink wine,
and think my own kind
of dry crusty thoughts.
—the first Calochortus flowers
and in all the land,
it's spring.
I point them out:
the yellow petals, the golden hairs,
to Gen.
Seeing in silence:
never the same twice,
but when you get it right,
you pass it on.
Zazen on Ching-t'ing Mountain by Li Po
The birds have vanished down the sky.
Now the last cloud drains away.
We sit together, the mountain and me,
until only the mountain remains.
Now the last cloud drains away.
We sit together, the mountain and me,
until only the mountain remains.
Losing My Sight by Lisel Mueller
I never knew that by August
the birds are practically silent,
only a twitter here and there.
Now I notice. Last spring
their noisiness taught me the difference
between screamers and whistlers and cooers
and O, the coloraturas.
I have already mastered
the subtlest pitches in our cat's
elegant Chinese. As the river
turns muddier before my eyes,
its sighs and little smacks
grow louder. Like a spy,
I pick up things indiscriminately:
the long approach of a truck,
car doors slammed in the dark,
the night life of animals—shrieks and hisses,
sex and plunder in the garage.
Tonight the crickets spread static
across the air, a continuous rope
of sound extended to me,
the perfect listener.
the birds are practically silent,
only a twitter here and there.
Now I notice. Last spring
their noisiness taught me the difference
between screamers and whistlers and cooers
and O, the coloraturas.
I have already mastered
the subtlest pitches in our cat's
elegant Chinese. As the river
turns muddier before my eyes,
its sighs and little smacks
grow louder. Like a spy,
I pick up things indiscriminately:
the long approach of a truck,
car doors slammed in the dark,
the night life of animals—shrieks and hisses,
sex and plunder in the garage.
Tonight the crickets spread static
across the air, a continuous rope
of sound extended to me,
the perfect listener.
I Laugh and Cry with the Same Eyes by James Kavanaugh
I laugh and cry with the same eyes,
Love and hate with the same heart.
I feel my rage and my gentleness,
My sanity and suicide.
When I hide my anger, my joy doesn't seem real.
When I hide my fear, my strength is a fraud.
If I only laugh, I leave no place for your pain.
If I only shout, I leave no place for your tenderness.
I want to be all of myself,
So you can be all of yourself,
And together we can be whole.
Love and hate with the same heart.
I feel my rage and my gentleness,
My sanity and suicide.
When I hide my anger, my joy doesn't seem real.
When I hide my fear, my strength is a fraud.
If I only laugh, I leave no place for your pain.
If I only shout, I leave no place for your tenderness.
I want to be all of myself,
So you can be all of yourself,
And together we can be whole.
You Are There by Erica Jong
You are there.
You have always been
there.
Even when you thought
you were climbing
you had already arrived.
Even when you were
breathing hard,
you were at rest.
Even then it was clear
you were there.
Not in our nature
to know what
is journey and what
arrival.
Even if we knew
we would not admit.
Even if we lived
we would think
we were just
germinating.
To live is to be
uncertain.
Certainty comes
at the end.
You have always been
there.
Even when you thought
you were climbing
you had already arrived.
Even when you were
breathing hard,
you were at rest.
Even then it was clear
you were there.
Not in our nature
to know what
is journey and what
arrival.
Even if we knew
we would not admit.
Even if we lived
we would think
we were just
germinating.
To live is to be
uncertain.
Certainty comes
at the end.
There Was A Time by Muhyiddin Ibn Arabi
There was a time I would reject those
who were not of my faith.
But now, my heart has grown capable
of taking on all forms.
It is a pasture for gazelles,
An abbey for monks.
A table for the Torah,
Kaaba for the pilgrim.
My religion is love.
Whichever the route love’s caravan shall take,
That shall be the path of my faith.
who were not of my faith.
But now, my heart has grown capable
of taking on all forms.
It is a pasture for gazelles,
An abbey for monks.
A table for the Torah,
Kaaba for the pilgrim.
My religion is love.
Whichever the route love’s caravan shall take,
That shall be the path of my faith.
The Word by Tony Hoagland
Down near the bottom
of the crossed-out list
of things you have to do today,
between “green thread”
and “broccoli,” you find
that you have penciled “sunlight.”
Resting on the page, the word
is beautiful. It touches you
as if you had a friend
and sunlight were a present
he had sent from someplace distant
as this morning—to cheer you up,
and to remind you that,
among your duties, pleasure
is a thing
that also needs accomplishing.
Do you remember?
that time and light are kinds
of love, and love
is no less practical
than a coffee grinder
or a safe spare tire?
Tomorrow you may be utterly
without a clue,
but today you get a telegram
from the heart in exile,
proclaiming that the kingdom
still exists,
the king and queen alive,
still speaking to their children,
—to any one among them
who can find the time
to sit out in the sun and listen.
of the crossed-out list
of things you have to do today,
between “green thread”
and “broccoli,” you find
that you have penciled “sunlight.”
Resting on the page, the word
is beautiful. It touches you
as if you had a friend
and sunlight were a present
he had sent from someplace distant
as this morning—to cheer you up,
and to remind you that,
among your duties, pleasure
is a thing
that also needs accomplishing.
Do you remember?
that time and light are kinds
of love, and love
is no less practical
than a coffee grinder
or a safe spare tire?
Tomorrow you may be utterly
without a clue,
but today you get a telegram
from the heart in exile,
proclaiming that the kingdom
still exists,
the king and queen alive,
still speaking to their children,
—to any one among them
who can find the time
to sit out in the sun and listen.
A Dark Thing Hidden Inside the Day by Linda Gregg
So many want to be lifted by song and dancing,
and this morning it is easy to understand.
I write in the sound of chirping birds hidden
in the almond trees, the almonds still green
and thriving in the foliage. Up the street,
a man is hammering to make a new house as doves
continue their cooing forever. Bees humming
and high above that a brilliant clear sky.
The roses are blooming and I smell the sweetness.
Everything desirable is here already in abundance.
And the sea. The dark thing is hardly visible
in the leaves, under the sheen. We sleep easily.
So I bring no sad stories to warn the heart.
All the flowers are adult this year. The good
world gives and the white doves praise all of it.
and this morning it is easy to understand.
I write in the sound of chirping birds hidden
in the almond trees, the almonds still green
and thriving in the foliage. Up the street,
a man is hammering to make a new house as doves
continue their cooing forever. Bees humming
and high above that a brilliant clear sky.
The roses are blooming and I smell the sweetness.
Everything desirable is here already in abundance.
And the sea. The dark thing is hardly visible
in the leaves, under the sheen. We sleep easily.
So I bring no sad stories to warn the heart.
All the flowers are adult this year. The good
world gives and the white doves praise all of it.
September Meditation by Burton D. Carley
I do not know if the seasons remember their history or if the days and
nights by which we count time remember their own passing.
I do not know if the oak tree remembers its planting or if the pine
remembers its slow climb toward sun and stars.
I do not know if the squirrel remembers last fall's gathering or if the
bluejay remembers the meaning of snow.
I do not know if the air remembers September or if the night remembers
the moon.
I do not know if the earth remembers the flowers from last spring or if
the evergreen remembers that it shall stay so.
Perhaps that is the reason for our births—to be the memory for
creation.
Perhaps salvation is something very different than anyone ever expected.
Perhaps this will be the only question we will have to answer:
"What can you tell me about September?"
nights by which we count time remember their own passing.
I do not know if the oak tree remembers its planting or if the pine
remembers its slow climb toward sun and stars.
I do not know if the squirrel remembers last fall's gathering or if the
bluejay remembers the meaning of snow.
I do not know if the air remembers September or if the night remembers
the moon.
I do not know if the earth remembers the flowers from last spring or if
the evergreen remembers that it shall stay so.
Perhaps that is the reason for our births—to be the memory for
creation.
Perhaps salvation is something very different than anyone ever expected.
Perhaps this will be the only question we will have to answer:
"What can you tell me about September?"
Fall Song by Mary Oliver
Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,
its rich spiced residues: vines, leaves,
the uneaten fruits crumbling damply
in the shadows, unmattering back
in the shadows, unmattering back
from the particular island
of this summer, this NOW, that now is nowhere
of this summer, this NOW, that now is nowhere
except underfoot, moldering
in that black subterranean castle
in that black subterranean castle
of unobservable mysteries — roots and
sealed seeds
and the wanderings of water. This
and the wanderings of water. This
I try to remember when time's measure
painfully chafes, for instance when autumn
painfully chafes, for instance when autumn
flares out at the last, boisterous and like
us longing
to stay — how everything lives, shifting
to stay — how everything lives, shifting
from one bright vision to another, forever
in these momentary pastures.
in these momentary pastures.
I Worried by Mary Oliver
I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?
Was I right, was I wrong, will I be forgiven,
can I do better?
Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.
Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?
Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning,
and sang.
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?
Was I right, was I wrong, will I be forgiven,
can I do better?
Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.
Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?
Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning,
and sang.
Generation by Rae Armantrout
We know the story.
She turns
back to find her trail
devoured by birds.
The years: the
undergrowth
She turns
back to find her trail
devoured by birds.
The years: the
undergrowth
The Buddhas Last Instruction by Mary Oliver
“Make of yourself a light”
said the Buddha,
before he died.
I think of this every morning
as the east begins
to tear off its many clouds
of darkness, to send up the first
signal-a white fan
streaked with pink and violet,
even green.
An old man, he lay down
between two sala trees,
and he might have said anything,
knowing it was his final hour.
The light burns upward,
it thickens and settles over the fields.
Around him, the villagers gathered
and stretched forward to listen.
Even before the sun itself
hangs, disattached, in the blue air,
I am touched everywhere
by its ocean of yellow waves.
No doubt he thought of everything
that had happened in his difficult life.
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire-
clearly I’m not needed,
yet I feel myself turning
into something of inexplicable value.
Slowly, beneath the branches,
he raised his head.
He looked into the faces of that frightened crowd.
said the Buddha,
before he died.
I think of this every morning
as the east begins
to tear off its many clouds
of darkness, to send up the first
signal-a white fan
streaked with pink and violet,
even green.
An old man, he lay down
between two sala trees,
and he might have said anything,
knowing it was his final hour.
The light burns upward,
it thickens and settles over the fields.
Around him, the villagers gathered
and stretched forward to listen.
Even before the sun itself
hangs, disattached, in the blue air,
I am touched everywhere
by its ocean of yellow waves.
No doubt he thought of everything
that had happened in his difficult life.
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire-
clearly I’m not needed,
yet I feel myself turning
into something of inexplicable value.
Slowly, beneath the branches,
he raised his head.
He looked into the faces of that frightened crowd.
Our True Heritage by Thich Naht Hanh
The cosmos is filled with precious gems.
I want to offer a handful of them to you this morning.
Each moment you are alive is a gem,
shining through and containing earth and sky,
water and clouds.
It needs you to breathe gently
for the miracles to be displayed.
Suddenly you hear the birds singing,
the pines chanting,
see the flowers blooming,
the blue sky,
the white clouds,
the smile and the marvelous look
of your beloved.
You, the richest person on Earth,
who have been going around begging for a living,
stop being the destitute child.
Come back and claim your heritage.
We should enjoy our happiness
and offer it to everyone.
Cherish this very moment.
Let go of the stream of distress
and embrace life fully in your arms.
I want to offer a handful of them to you this morning.
Each moment you are alive is a gem,
shining through and containing earth and sky,
water and clouds.
It needs you to breathe gently
for the miracles to be displayed.
Suddenly you hear the birds singing,
the pines chanting,
see the flowers blooming,
the blue sky,
the white clouds,
the smile and the marvelous look
of your beloved.
You, the richest person on Earth,
who have been going around begging for a living,
stop being the destitute child.
Come back and claim your heritage.
We should enjoy our happiness
and offer it to everyone.
Cherish this very moment.
Let go of the stream of distress
and embrace life fully in your arms.
Inter-relationship by Thich Naht Hanh
You are me and I am you.
Isn't it obvious that we inter-are?
You cultivate the flower in yourself
so that I will be beautiful.
I transform the garbage in myself
so that you do not have to suffer.
I support you you support me.
I am here to bring you peace
you are here to bring me joy.
Isn't it obvious that we inter-are?
You cultivate the flower in yourself
so that I will be beautiful.
I transform the garbage in myself
so that you do not have to suffer.
I support you you support me.
I am here to bring you peace
you are here to bring me joy.
Where Does the Dance Begin, Where Does It End? by Mary Oliver
Don't call this world adorable, or useful, that's not it.
It's frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.
But the blue rain sinks, straight to the white
feet of the trees
whose mouths open.
Doesn't the wind, turning in circles, invent the dance?
Haven't the flowers moved, slowly, across Asia, then Europe,
until at last, now, they shine
in your own yard?
Don't call this world an explanation, or even an education.
When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking
to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,
as he whirled,
oh jug of breath,
in the garden of dust?
It's frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.
But the blue rain sinks, straight to the white
feet of the trees
whose mouths open.
Doesn't the wind, turning in circles, invent the dance?
Haven't the flowers moved, slowly, across Asia, then Europe,
until at last, now, they shine
in your own yard?
Don't call this world an explanation, or even an education.
When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking
to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,
as he whirled,
oh jug of breath,
in the garden of dust?
Sleeping in the Forest by Mary Oliver
I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
Saturday, 4 October 2014
From Blossoms by Li-Yeung Lee
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.
From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.
O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
Late Hours by Lisel Mueller
On summer nights the world
moves within earshot
on the interstate with its swish
and growl, an occasional siren
that sends chills through us.
Sometimes, on clear, still nights,
voices float into our bedroom,
lunar and fragmented,
as if the sky had let them go
long before our birth.
In winter we close the windows
and read Chekhov,
nearly weeping for his world.
What luxury, to be so happy
that we can grieve
over imaginary lives.
moves within earshot
on the interstate with its swish
and growl, an occasional siren
that sends chills through us.
Sometimes, on clear, still nights,
voices float into our bedroom,
lunar and fragmented,
as if the sky had let them go
long before our birth.
In winter we close the windows
and read Chekhov,
nearly weeping for his world.
What luxury, to be so happy
that we can grieve
over imaginary lives.
A Dedication to My Wife by TS Eliot
To whom I owe the leaping delight
That quickens my senses in our wakingtime
And the rhythm that governs the repose of our sleepingtime,
The breathing in unison
Of lovers whose bodies smell of each other
Who think the same thoughts without need of speech
And babble the same speech without need of meaning.
No peevish winter wind shall chill
No sullen tropic sun shall wither
The roses in the rose-garden which is ours and ours only
But this dedication is for others to read:
These are private words addressed to you in public.
That quickens my senses in our wakingtime
And the rhythm that governs the repose of our sleepingtime,
The breathing in unison
Of lovers whose bodies smell of each other
Who think the same thoughts without need of speech
And babble the same speech without need of meaning.
No peevish winter wind shall chill
No sullen tropic sun shall wither
The roses in the rose-garden which is ours and ours only
But this dedication is for others to read:
These are private words addressed to you in public.
Winter Dawn by Tu Fu
The men and beasts of the zodiac
Have marched over us once
more.
Green wine bottles and red
lobster shells,
Both emptied, litter the
table.
“Should auld acquaintance
be forgot?” Each
Sits listening to his own
thoughts,
And the sound of cars
starting outside.
The birds in the eaves are
restless,
Because of the noise and
light. Soon now
In the winter dawn I will
face
My fortieth year. Borne
headlong
Towards the long shadows
of sunset
By the headstrong,
stubborn moments,
Life whirls past like
drunken wildfire.
Poem Without A Category by Gensei
Trailing my stick I go down to the garden edge,
call to a monk to go out the pine gate.
A cup of tea with my mother,
looking at each other, enjoying our tea together.
In the deep lanes, few people in sight;
the dog barks when anyone comes or goes.
Fall floods have washed away the planks of the bridge;
shouldering our sandals, we wade the narrow stream.
By the roadside, a small pavilion
where there used to be a little hill:
it helps out our hermit mood;
country poems pile one sheet on another.
I dabble in the flow, delighted by the shallowness of the stream,
gaze at the flagging, admiring how firm the stones are.
The point in life is to know what’s enough–
why envy those otherworld immortals?
With the happiness held in one inch-square heart
you can fill the whole space between heaven and earth.
Too lazy to be ambitious by Ryokan
Too lazy to be ambitious,
I let the world take care
of itself.
Ten days’ worth of rice in
my bag;
a bundle of twigs by the
fireplace.
Why chatter about delusion
and enlightenment?
Listening to the night
rain on my roof,
I sit comfortably, with
both legs stretched out.
There comes the strangest moment by Kate Light
There comes the strangest moment in your life,
when everything you thought before breaks free —
what you relied upon, as ground-rule and as rite
looks upside down from how it used to be.
Skin’s gone pale, your brain is shedding cells,
you question every tenet you set down;
obedient thoughts have turned to infidels
and every verb desires to be a noun.
I want—my want. I love—my love. I’ll stay
with you. I thought transitions were the best,
but I want what’s here to never go away.
I’ll make my peace, my bed, and kiss this breast . . .
with you. I thought transitions were the best,
but I want what’s here to never go away.
I’ll make my peace, my bed, and kiss this breast . . .
Your heart’s in retrograde. You simply have no choice.
Things people told you turn out to be true.
You have to hold that body, hear that voice.
You’d have sworn no one knew you more than you.
How many people thought you’d never change?
But here you have. It’s beautiful. It’s strange.
Autumn Leaves by Marilyn Chin
The dead piled up, thick, fragrant, on the fire escape.
My mother ordered me
again, and again, to sweep it clean.
All that blooms must fall.
I learned this not from the Tao,
but from
high school biology.
Oh, the contradictions of
having a broom and not a dustpan!
I swept the leaves down,
down through the iron grille
and let the dead rain over
the Wong family’s patio.
And it was Achilles Wong
who completed the task.
We called
her:
The-one-who-cleared-away-another-family’s-autumn.
She blossomed, tall,
benevolent, notwithstanding.
Those Winter Sundays by Robert Hayden
Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
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